SF Failing Science 101 (or, In Which Scott Lynch Is Awesome)

2013-MAR-Scott-Lynch-214x300Scott Lynch is a brilliant writer, and a friend. You probably know him best for his Gentlemen Bastards fantasy series (begun in The Lies of Locke Lamora… and if you haven’t read it, GET ON THAT), and he was also a contributor to the Tales of the Far West anthology that I edited and published.

Today on Twitter, he went on a bit of an extended ramble, and it struck me as just so damned smart that I felt the need to collect it. Hence, this blog post.

In the following series of tweets, Scott talks about the tendency of certain subsets of SF…

So the entire purpose of putting this on my blog is basically so that I can point to the above sequence and say “YEAH. THAT.”
 
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Insurgent Creative – Required Reading: “Let’s Get Visible”

Let’s-Get-Visible-and-Other-Stories-by-David-GaughranFirst things first: Let’s Get Visible: How to Get Noticed And Sell More Books is not something you should jump in and read first thing. It’s an advanced guide, a companion volume to David Gaughran’s 2011 release, Let’s Get Digital: How To Self-Publish, And Why You Should. If you haven’t read Digital, you absolutely should — it is an absolutely critical tome for anybody looking to do digital publishing, whether running a small publishing operation, or putting our your own stuff — and it’s on sale right now for 99 cents as a tie-in promotion to this release, so you should go grab it immediately. I’ll wait.

Let’s Get Visible is the sequel — a more advanced guide which tackles the most critical issue facing independently-published content: How to get more people to see your work, to discover it among the myriad other options available, and hopefully, how to get them to buy it. It assumes that you already know the nuts and bolts of how of digital publishing — producing professional-quality material, well-designed, attractive, and making it available for sale. The focus of this volume is on increasing the visibility (and therefore the sales) of your books once they’re ready to go.

Insurgent CreativeThere are, as a rough estimate, eleventy-bajillion “CRACK AMAZON’S SECRETS AND SELL TONS!!!” self-publishing cash-ins available for purchase. This is not one of them. This is a sober, honest breakdown of tactics and strategies for increasing the visibility of your book, whether it’s been previously published, or if you’re launching from scratch. It concentrates largely on methods to improve your books visibility on Amazon — which makes sense, since Amazon represents an overwhelmingly large percentage of the digital market. Your best efforts focused there will have the most direct impact on your overall sales. Gaughran also covers sites like Barnes & Noble, Apple, Kobo and Smashwords, but spends most of the time giving you information that will do you the most good.

Gaughran presents the current best guess as to workings of Amazon’s algorithms for its Recommendation Engine, it’s sales rankings, it’s top lists. He sources this information with links to blogs and articles where the detective work has been done by himself and others, with the up-front caveat that Amazon does change these formulae, so the information that is presented in this book is only current as of May 2013. By providing the links, however, he insures that the reader can keep up to date on any further developments. He is honest about the fact that since the algorithms are proprietary, nobody but Amazon knows for sure how they work — but he clearly spells out the evidence for the methods he presents. This isn’t get-rich-quick one-true-wayism, but rather a evidentiary examination of logical conclusions, with the caveat that the information will change — but that those changes will be easier to adapt to once you have a basic grasp of how the process has worked historically. This is a breath of fresh air for indie publishing, which too often draws cult-of-personality gurus, heavy with the stink of hucksterism.

From examination of how Amazon recommends books to customers, Gaughran presents the logical methods for presenting your work so as best to take advantage of those suppositions, some of which is common sense, but much of which presents a new way to think about things (for example, a counter-intuitive method of launching a book which goes against the instincts I have developed over 20 years of working in publishing — but which makes perfect sense given the evidence provided about how the various recommendations and lists work).

I could go on — but honestly, you are far better served by reading the book than in reading a recommendation for it. Make no mistake, that is what I am unreservedly offering here: a recommendation, in the strongest possible terms. Despite my experience, this book gave me valuable advice, gave me new information that I hadn’t considered, and an entirely new way of thinking about promotion. Both books (linked below) should be an essential part of an Insurgent Creative’s tool kit — and I’d recommend adding David Gaughran’s blog to your regular reading list as well.
 



Tour De Bond: The Music of James Bond

Just finished reading The Music of James Bond by Jon Burlingame, which is a film-by-film exploration of the themes and scores of all of the Bond film up until Quantum of Solace. For somebody like me, both a music geek and a Bond obsessive, this is manna from heaven. Burlingame gives an analysis of each film’s score, track by track, but also the behind-the-scenes stories of the music’s creation, including false starts and lost themes along the way.

We hear about the original theme to Moonraker, with lyrics by Paul Williams (The Muppet Movie, etc.), which was going to be sung by Frank Sinatra. The For Your Eyes Only theme sung by Blondie (and eventually included on their 1982 album, The Hunter). The fact that Annie Lennox and Dave Stewart were supposed to do a theme for License To Kill, but that during the screening, Lennox was put off by the shark attack scene and backed out.

One of the coolest bits of information, for me, was the fact that there was an entire verse cut out of Diamonds Are Forever during the recording session. Diamonds is my favorite of the Shirley Bassey-sung Bond themes — although the film is, frankly, pretty bad, I love the song even more than Goldfinger:

http://www.youtube.com/watch?v=80A6MtPwj-Q

The book reveals the lyrics to the missing verse:

Diamonds are forever
I can taste the satisfaction
Flawless physical attraction
Bitter cold, icy fresh, till they rest on the flesh they crave for

The book also tells the story that David Arnold was chosen as the composer for the past five films largely due to his album of reworked Bond themes, Shaken and Stirred, which showed the producers that he could mix traditional Barry-style arrangements with more modern electronic techniques.

I love that album — it’s out of print, but if you can find it, grab it. My favorite track, a mash-up of the theme from On Her Majesty’s Secret Service and the Space Capsule music from You Only Live Twice, done with The Propellerheads:

With Skyfall opening in the US next week, and the 50th anniversary of the films, it’s a great time to be a Bond fan.