Steampunkery

Still bummed that we’re not going to make it to Steam-Con this year. Had a minor kerfuffle trying to get my registration refunded, but hey, they’re new, and they finally did make good once things were more fully explained to them, which is good sign for the future.

On the subject of things steamy, here’s an interesting blog entry from Shawn Gaston, creator of the Clockworks steampunk webcomic about his first pro convention attendance.

Two things he wrote stood out for me, and so I’ll quote them in full here:

  • Steampunk is the New Black. Seriously. Archon is exactly the same this year as GenCon or Dragon*Con were in that regard. All of a sudden Steampunk has hit critical mass, and the costumes/outfits are everywhere. This was of course good for me and the comic, but just kind of fascinating to figure out how all of a sudden something just flips over and becomes part of the gestalt. I’m looking forward to two years from now, when I can sit in on the Is Steampunk Played Out? panel.
  • Speaking of SitNB: There is seriously a much larger fandom/audience for awesome steampunk stuff than there is media being put out. There are tons of movies/games/books/tv shows/etc that have steampunk elements. Everything from Avatar the Last Airbender to Warehouse 13 to the movie 9 has stylistic elements and hints and whatnot. But there is really an audience out there for more straight up steampunk stuff. I don’t want people who really want to write horror or hard sci fi or whatever to start pumping out crappy steampunk novels; but if you’re creative and you love this stuff anyway, go start making stuff. There are seriously more people in to this than there are people catering to us. (For now. See you in two years at the Is Steampunk Played Out panel.) Don’t just churn out steampunk crap to jump on the trend, but if you already love airships and stompy robots and smoke filled metropolises and mad science and goggles, start writing a story or drawing a comic or painting or taking erotic photographs or filming your indie movie or whatever. The world needs more cool steampunk media.
  • Specifically interesting is the latter point, which I’ve been saying for a while now… and, in fact, gears have been turning, and you should expect an Official Announcement (™) in the next month or so, once I’ve got the site ready for viewing….

    Friday Music

    Lots of good stuff this week.

    Beautiful Small Things is a NYC duo which includes vocals by Bree Sharp (who recorded the cult track “David Duchovny” in 1999, which X-Files fans might remember). This is a brilliant bit of mid-tempo synthpop balladry, massively elevated into absolutely niftyhood by the fact that they managed to get harmonizing backing vocals by none other than Simon Fucking LeBon of Duran Duran. In fact, the inclusion of his voice makes this a VERY Duran-sounding piece, and makes me drool for the new album the guys are currently recording with Mark Ronson. Beautiful Small Things – “Simple Joys (feat. Simon LeBon).”

    I was introduced to this earlier in the week by and I’m hooked. Another exploration of the retro sound by a current UK act — this one mixing the uptempo pop of early-60s girl groups with the raw edge of garage band guitars. They’ve got some great videos, too — check Youtube. The Noisettes – “Never Forget You.”

    I was so busy this summer (moving Dotta Numba 2, turning 40, having The Minion back from college, prep for GenCon, attending GenCon, etc.) that I completely missed the fact that Kasabian released their 3rd album. I’ve been listening to it quite a bit this week after finally making the discovery — call it making up for lost time. The album, West Ryder Pauper Lunatic Asylum is so good, I’ll share two tracks with you:

    First, the opener, which treads familiar territory (very similar in feel to the chunk and bombast of their best-known single over here, “Club Foot”) – Kasabian – “Underdog.”

    And the current single, the key changes and refrain vocals of which makes me think of it as something like a 21st-century Beatles song. I can’t really explain that, and maybe it’s just me. It’s grand, though. Kasabian – “Where Did All The Love Go?”

    There’s also a brilliant duet with Rosario Dawson that I was tempted to also post — trust me, just go get this album.

    Moving from there to hip-hop, here’s a really excellent Gnarls-Barkley-esque track which I heard while watching “So You Think You Can Dance” this week — the dancer was good, but the song was brilliant. Madcon – “Beggin’.”

    We’ll close out with some modern Blues. First up, a track by Chicago bluesman Otis Taylor, used in the trailer for (and appearing on the soundtrack of) the Johnny Depp film about Dillinger, Public Enemies: Otis Taylor – “Ten Million Slaves.”

    And lastly, an amazing version of a classic, which was featured in the first season finale of Sons of Anarchy (which, if you’re not watching, you should be — it’s on DVD now, and second season is airing now.) They just released a soundtrack EP with a handful of tracks, and I was thrilled to see that they included this: Curtis Stigers and the Forest Rangers – “John The Revelator.”

    There you go. Enjoy.

    “Fascism” is not just an Invective.

    posted this, and I found it so compelling that I decided to post about it myself.

    I know that cries of “Fascism” have been leveled, by both sides of the spectrum, for far too long — to the point where the word is a farce, robbed of its actual impact.

    That’s dangerous — because a word without meaning loses its ability as a signifier of the very real subject.

    Read this essay (with supporting links). It points out the actual, honest-to-goodness political definition of fascism — and the historical stages of a slide towards fascism in otherwise-reasonable countries, along with the accompanying warning signs ignored by the “it couldn’t happen here” folks.

    It is very, very worth reading. Fascism is real, kids — it’s not just an invective that you level against political opponents. And it’s only by understanding what it *really* is, and why and how it comes to power, that it can be fought.

    Read the stages. Check the links. Ask yourself if you honestly don’t see it reflected in the current world, and then ask yourself what you plan to do about it.