Star Trek at 50

Trek Triptych by PicacioBack in 2013, I did a blog entry on the 50th anniversary of Doctor Who. As important as that show was to my foundations as a young geek, this year marks the 50th of one which looms even larger: Star Trek.

Star Trek was my first Geeky Thing. In the pre-Star-Wars days of the 1970s, it was one of the Colossi of my imagination (along with Planet of the Apes). The image above is a triptych painted by John Picacio (whom I’ve “online known” for years, and finally got to meet in person at WorldCon last month), used for three book covers to mark the 40th anniversary a decade ago. As definitive a Trek image as it is, though, my introduction to Trek can be summed up by a different, personal triptych.

triptych

My introduction to Star Trek came via my grandmother’s house. Several Star Trek books — the “Puzzle Manual”, pictured at left; Alan Dean Foster’s “Log” series, where he adapted episodes from the Animated Series — had been left on a few shelves around the house. I never found out whose they were: One of my uncles, perhaps? To this day, I’m unsure. But I devoured them, along with many, many viewings of the syndicated re-runs, which were shown Monday through Saturday at 6pm on WPIX, Channel 11 in New York. I was absolutely a part of that Second Wave of Trek Fandom that exploded via syndication after the show’s original cancellation.

Star Trek (along with Planet of the Apes, and then Doctor Who, and then Star Wars when I was eight years old) was my gateway into science fiction and All Things Nerdy which sprouted from there. My first comic books were Gold Key Star Trek comics. I devoured the tie-in novels through the 80s and well into the 90s. (I still occasionally pick up a new one, from time to time). From 1978 onward, there were Trek movies every couple of years, and then, in my freshman year of college, The Next Generation debuted. Throughout every iteration that has followed, I still remain a stalwart fan of the Original Series above all.

My love of nerdy things led directly to my career — and I was proud to have been able to contribute to Trek canon in my own small way, by writing a history of Vulcan for Last Unicorn Games’ Star Trek RPG in 1999, elements of which were later used on-screen in episodes of ENTERPRISE which were set on Vulcan, and referenced in several Trek novels as well (where I and my fellow sourcebook authors were thanked by name in the acknowledgements, which was a very nice gesture).

As I write this, another Star Trek RPG is in development, which I hope to contribute to — and, if I look above my desk, I see the following poster, a copy of which hung in my bedroom as an adolescent, and which my wife had custom framed (after I’d snapped this pic):

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I haven’t been a big fan of the direction the property has taken over the past few years, but I’ve been glad for efforts like Star Trek Continues, pro-quality fan films keeping the spirit of the original Trek alive. Now, a new series is set to debut next year: Star Trek Discovery. Will I love it? We’ll see. I hope so.

But even if I don’t, I’m sure the “five year mission” of the Enterprise isn’t going to end for me any time soon. 50 years on, and it’s still going strong.

Live Long and Prosper, Star Trek.

WorldCon Whirlwind (and a bit of a rant)

Brooke Johnson, with me and my wife Laura.I’m currently catching my breath between the last 5 days spent at MidAmeriCon2 (the 74th Annual World Science Fiction Convention) in Kansas City, and later this week, when we take a cross-country drive to drop my youngest child off at his new college. (The picture, by the way, is author Brooke Johnson, with Laura and I. We’ve been on some panels together at ConQuest and now WorldCon, and had a good time hanging out.) Busy busy busy. But I wanted to get this down.

So, I had been lamenting that I’d missed the opportunity to charge my creative batteries at GenCon again — well, WorldCon took care of that. HOLY CRAP, I’m vibrating.

Spoke on several panels — kinda froze a bit when I noted that Larry Muhfuggin’ NIVEN was in the audience of one of them, hearing ME speak. WHAT IS THIS I DON’T EVEN. Met many, many brilliant people. Had the opportunity for sharing physical location with people that I’ve known for years online — turns out, the people from Twitter have, necks and bodies and legs and stuff. They’re not just disembodied heads in squares. Enjoyed time with folks that I already knew “fer realsies”, even though there never seemed to be enough time.

Came away from the show excited about the future — both for stuff that I’m already working on, and stuff that is just at the “percolating idea” stage. Feeling a much-needed sense of actual enthusiasm for my work, which is wonderful.

A couple of other take-aways from the show:

  • I’m in my late 40s, and there were rooms where I felt like one of the “young folks.” Seriously. SFF Fandom (with a Capital F) skews WAY old. I’d love to see more effort made to attract a younger cohort, or this stuff is eventually going to die out. It’s been pointed out to me that younger folks often can’t take the time and spend the money to attend — which is true, and not much can be done about that. But content-wise, there needs to be stuff to attract those that COULD attend, by giving them a reason to WANT TO. The ‘fan-culture’ stuff that’s been kinda stale since the mid-70s is not the way to do it. I mean, sure, have that for those that want it — but make more of an effort to recognize and accommodate 21st-Century fan culture, too.
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  • Today, I’ve been reading another spate of post-Con horror stories about creepers, sexists, harassment, social dysfunction. Again. (As an example, this twitter-thread from Alyssa Wong.) Seeing expected messages of support, ally-dom, etc.

    But. BUT.

    I had convos in person with some folks AT the con about this stuff… and the amount of “well, we shouldn’t ostracize” push-back was noticeable.

    Here’s the thing, though: the socially dysfunctional won’t stop these behaviors without it, to say nothing of the purposefully abusive. Until we get over the “geeks don’t ostracize” bullshit, it’s never gonna change. So yeah, offer ally-ship & support. But start actively insuring that there are negative consequences for these behaviors. Now.

    People do this in your presence? Ostracize the shit out of them. “But they’re socially awkward” can no longer be allowed to be an excuse. Learn how to behave in public, or you don’t get to BE in public. This is Basic Adult Socialization 101. Long PAST time to start enforcing it.

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Rant over. The positives far, far outweighed the negatives, in the end.

Also? I need to take more pictures when I’m at a Con. Folks are posting them all over the place.

Now, back to work.

WorldCon

MAC2_Logo_061314_LightBG_jpg_360x540_autocrop-True_q85Kansas City will be hosting the 74th Annual World Science Fiction Convention from August 17-21th.

I am extremely humbled to have been asked to participate as a panelist.

For those of you who will be attending, my panel schedule is as follows:

• The Imaginary Book Club

Thursday 11:00 – 12:00, 2502A (Kansas City Convention Center)

Let’s think beyond today as our panelists review movies and books that have not yet been written or filmed. Come and hear about wonderful entertainment possibilities that you’ll never have the option of actually enjoying…because they don’t (yet) exist! Our panelists longingly discuss their favorite (but, alas, non-existent) SF and fantasy books and movies that have never been written.

• Authors Before, During and After the Adaptation Process

Thursday 14:00 – 15:00, 2208 (Kansas City Convention Center)

I’m moderating this panel, which will feature Charlaine Harris (TRUE BLOOD), Melinda Snodgrass (WILD CARDS, STAR TREK: THE NEXT GENERATION) and Steven Gould (JUMPER).

Books are getting turned into films and television shows at a staggering rate. Our panelists include authors and screenwriters who share their experiences from different sides of the process as they discuss what it is like to see their creations reimagined before their eyes. From TV shows like True Blood to action films like Jumper, how does the adaptation process work? How much input does the original creator have in the final product? How does this experience translate to other mediums, and what happens when it deviates from the original to take on its own life within a shared world like Star Trek or Wild Cards?

• Attack the Gazebo! Running a Great RPG Session

Thursday 19:00 – 20:00, 2209 (Kansas City Convention Center)

We’ve all played bad or boring games, but how do we make a really good one? Our panel think of exciting ways to make your game really work, and also consider some ‘do-nots’ when planning a tabletop game.

• Game World, Fictional World: RPGs and Authorship

Saturday 14:00 – 15:00, 2504B (Kansas City Convention Center)

In Roleplaying Games, things don’t always go to plan. What happens when our games become fiction? Authors who love RPGs, have used them as a basis for their work, or have had their work made into RPGs discuss how roleplaying can help the creative process…or make it go horribly, horribly wrong.

The rest of the show, I’ll be attending other folks’ panels, and floating around the bar area.  If you’re going to be in KC for the show, drop me an email and give me a way to get in touch with you and we’ll meet up!