Money Quote

“I don’t believe my role is to replace the verdict of a jury with my own,”
– George W. Bush, in his autobiography A Charge To Keep.

Apparently, things change.

What this commutation is really about is a message to other staffers who are now or will be subpoena’d — keep your mouth shut, or lie to protect the administration, and you’ll see less jail time than Paris Hilton.

Under Bush, some people can be imprisoned without charges indefinitely, while friends and underlings who are convincted in a court of law go free. Welcome to the New America — and it’s our own goddamned fault for not rioting in the streets already, following outrage after outrage. We’ve told them that we don’t care, and they can get away with anything.

The right wing talking points have already been put into play, of course. This whole thing was “political.”

To clarify, so you can refute this when you hear it:

Bush political appointee James Comey named Bush political appointee Patrick Fitzgerald to investigate the Plame leak. Fitzgerald, a careeer prosecutor, found evidence of perjury and obstruction of justice, and so filed an indictment and went to trial before Bush political appointee Judge Reggie Walton. A jury convicted Libby, and Bush political appointee Walton sentenced him. At sentencing, Judge Walton described the evidence against Libby as “overwhelming” and concluded that a 30-month sentence was appropriate.

But, according to the right wing, who are being given a platform by the corporate media…… the Libby prosecution was the work of political enemies who were just trying to hurt the Bush Administration.

Hmm.

Do Something

As you all no doubt know by now, Bush has commuted the sentence of “Scooter” Libby — Libby lied under oath, obstructing justice, to protect (as we now all know) the Vice President. A jury found him guilty, but Bush, without consulting the Justice department, commuted the sentence, so he won’t serve any jail time–and his slap-on-the-wrist fine will be more than covered by the right-wing “Scooter Libby Defense Fund”, so in the end, he won’t be punished AT ALL.

A President has NEVER commuted an obstruction-of-justice conviction of one of his administration, ever, at any time in American history. This, like so many other outrages commited by this administration, is without precedent.

Last week, Cheney asserted that he was beyond the reach of the law, stating that laws governing the Executive Branch don’t apply to him. Yesterday, Bush proved beyond a shadow of doubt that this corrupt junta considers itself above the law.

Don’t call your Senator. Don’t call your Representative. Go direct — Call the White House itself and register your outrage. Maybe if the goddamned switchboard melts down under the onslaught of millions of us, they might learn something.

Probably not….but damned if I’m going to be quiet about it.

202-456-1414

Then call your Congresspeople, and tell them to put Impeachment ON the table. Enough is enough.

Monkey


A new opera, showing in Manchester: Monkey: Journey to the West–a tumbling, cross-genre, French-German-produced circus show-cum-quest caper designed by Tank Girl creator Jamie Hewlett (also a member of Gorillaz) and scored by Damon Albarn (of Gorillaz, Blur and The Good, The Bad & The Queen).

Money quotes from the review:

* “cannibalism, seductive spider-women, and Shaolin sword-fighting on unicycles”

* “Imagine The Lord Of The Rings being done by the Chinese State Circus in the style of House Of Flying Daggers, and you are some way towards understanding the appeal of Monkey. Entire segments are animated on giant screens, in Jamie Hewlett’s unmistakable style.”

* “At its most Western, the music can sound a little like a Gwen Stefani pop single (during the Heavenly Peach Banquet especially). Fairground themes abound, electronic bits spar with atonal bongs, and the singing is exquisite. Albarn and the artist Gavin Turk have even made a new instrument, the Klaxophone, which reproduces the sound of car horns in Chinese cities, especially for Monkey. You can hear Damon’s distinct melodic sense and favourite chord progressions throughout, yet the score remains overwhelmingly pentatonic and Eastern, and pretty much pastiche-free…..One of the biggest revelations is the chanting, droning, buzzing spell that Tripitaka uses to subdue Monkey when he gets out of hand, an experimental flourish based on cicada-song.”

I want this released as an album. Right The Hell NOW.