Cloverfield

Just got back from seeing Cloverfield with .

Pretty damn good — definitely Abrams’ exorcism of post-9/11 trauma, in the same way that Gojira was a reflection of the early-50s Japanese psyche.

The best thing about it is that the monster attack is really more of a background element — the focus of the tale is how a handful of New Yorkers deal with the chaos.

The whole thing is filmed, Blair Witch-style, as a found document, a hand-held camera recording. As such, there’s no score — although if you wait through the end credits, you are rewarded with a track called “Roar! (Cloverfield Overture)” by Michael Giacchino (who does pretty much all of J.J. Abrams’ music). It’s a brilliant pastiche of monster movie bombast — especially the classic Godzilla march. Once that sucker is available ANYWHERE, I’m grabbing it. I doubt there will be a soundtrack release, since it’s the only piece composed for the film, and the only music aside from some source music that appears in the first 10 minutes of the film during the going away party….but hopefully they think to release “Roar!” as a single on iTunes.

Good stuff.

Behind the Media: Obama actually wins Nevada

Something to keep in mind as the Media spins the latest Clinton inevitability story:

Check the delegate count.

Clinton’s win in Nevada, based on the precincts she won: 12 delegates.

Obama’s “loss”, based on his precincts: 13 delegates.

His precincts were in more of the high-delegate areas, by a slight margin. So, even though he “lost”, he comes out of Nevada with more of that state’s delegates.

At this point, though….I have the growing feeling that this race may end up going all the way to the Democratic Convention. Great for media ratings, I guess — but runs the risk of damaging the final nominee’s chances in the main election in November.

My bet (a theory I heard earlier today): Edwards stays in all the way to the Convention (because he opted for public financing, it doesn’t cost him to do so), and then uses his small collection of delegates to play kingmaker, determining the winner.

Friday Music

Another week, another Mixtape of Teh Intarwebs.

Discovered a new group this week: 4hero, a UK-based neo-soul/electronica outfit. Brilliant stuff, as I think this track exemplifies: 4hero – “Morning Child.” Can’t wait to hear more.

Richard Kelly, director of Donnie Darko, released a new film last year, Southland Tales — apparently about the end of the world (in as much as Richard Kelly’s films can be about anything). Anyway — in it, Sarah Michelle Gellar plays an ex-pornstar, who now has a music career. Her big single is an “issue song.” The issue? Teen horniness. They put the track on the soundtrack, and it’s damn near perfect slap at the style of Britney Spears, et. al.: Sarah Michelle Gellar – “Teen Horniness is Not a Crime.”

Heavy riff? Check. Blistering guitar solos? Check. Over-the-top swords-and-sorcery lyrics? Check. Bow before the metal majesty that is: Nevermore – “The Psalm of Lydia.” “Now sullen the demons fade away and summon their final call….Lydia slayed them all!”

This track from The National’s new album makes me think a bit of Joy Division, and other bands of that period….and that’s not a bad thing: The National – “Mistaken For Strangers.”

Because it’s fun, and because I haven’t heard it in ages, a goofy caper film in song: The Refreshments – “Banditos.”

If you only know Berlin by “Take My Breath Away” (shudder), or, at best, “Sex (I’m A…)”, then you’re missing out. One of my favorite new wave acts, this is my favorite song from them, before they were swallowed whole by adult-contemporary, movie-tie-in balladry: Berlin – “Masquerade.”

One more track from the Samurai Champloo soundtrack — this time, the opening theme of the series: Nujabes feat. Shing02 – “Battlecry.”

There you go, kids. Enjoy!