The Return of Friday Music

BuckRogers_b_600_zpsbd26b2b0Here we go again… For those of you who aren’t aware, starting a hair over 9 years ago (!!!) in February 2005, I started a regular feature on my blog, called Friday Music. It was a “Mixtape of Teh Intarwebs” — a set of mp3s of stuff that I’d been listening to recently, or had just discovered myself. It ran for quite a while, years of weekly entries– and then, of course, less frequently, until it faded away almost entirely. My last attempt was in May of last year. I’ve had a few people ask me to bring it back, and when I recently mentioned that I’ve been tempted to do so, I was hit with a bunch of folks saying “Please!” — so here we are.

As always, if a link gives you trouble, try copy-and-paste, and if it’s down (these links usually are ephemeral), a Google search or a search on iTunes or Amazon will track the song down for you. Now for this week’s songs:

This first track is something I’ve been searching for since February 1980, when the “Space Rockers” episode of Buck Rogers In The 25th Century first aired. The episode featured… well, Space Rockers. A band called Andromeda, whose music was being used to make The Kids commit violent crimes on behalf of The Bad Guy via subliminal messages — sort of an early version of the plot of the Josie and the Pussycats feature film. Anyway, the appregiated-synth-heavy funk of Andromeda was something that, for whatever reason, really stuck with me, and I’ve been trying to find a copy of it ever since. Late last year, collector soundtrack publisher Intrada released a 3-CD version of the music from Season One of Buck Rogers, and, sure enough… here are the Space Rockers. Johnny Harris – “Andromeda (from Space Rockers)”.

Long-time readers will recall that I’ve got a fascination with K-Pop groups. This is one that I’ve posted about before, 2NE1 (I previously featured “I am the Best (내가 제일 잘 나가)” – link to video here). This is another one that is a serious ass-mover — but also subject to a bit of controversy — at around 1:55, the song features a sample of a young boy singing passages from The Quran, and the Korean Muslim community immediately took offense. The abbreviated title of this song stands for “Mental Breakdown” — 2NE1 – “MTBD (멘붕).”

Here’s a track that I found via a Target commercial, of all things. I was struck immediately by the very 80s sound of it (to my ear, at least), and out came the Shazam app on the iPhone, so I could find out who it was. This L.A. band played Glastonbury in 2013, and earned a top spot in the BBC’s Sound of 2013 poll. Haim -“Forever.”

UK musician Barry Adamson has been a member of The Buzzcocks, Magazine, Nick Cave and the Bad Seeds, and Visage. This swingy sexy instrumental is from his 1996 solo album Oedipus Schmoedipus plays like a lost mid-60s Bond soundtrack tune, which, of course, is why I love it. Barry Adamson – “The Big Bamboozle.”

A track from my writing playlist for FAR WEST, from a late-period Spaghetti Western (and recently used to good effect in Tarantino’s “Django Unchained”). The song was composed by Luis Bacalov (who did, among other things, the theme to the original “Django”), with vocals — in English — by Edda Dell’Orso. Luis Bacalov, with Edda Dell’Orso – “Lo Chiamavano King (His Name Was King).”

A little bit of UK hip-hop, from one of my favorites of that genre, Roots Manuva. This track is a remix by Matt Helders — the drummer from the Arctic Monkeys. Roots Manuva – “Again and Again (Matt Helders Remix).”

Reliving parts of my misspent youth by listening to a bunch of 2nd-wave Ska recently — I found a copy of the concert documentary “Dance Craze: The Best of British Ska LIVE!” from 1981. One of the performances is The Bodysnatchers doing a cover of a 1967 Desmond Dekker tune. No recording of the cover exists, so here’s the original. Dem a loot, dem a shoot, dem a wail! Desmond Dekker – “007 (Shanty Town).”

So there you go. We’re going to try to make this a regular thing — so I’ll make you a deal: Sound off with comments below, or via Twitter or whatever — let me know you’re out there, and I’ll see you back here in 7 for another entry. Enjoy!

Down But Not Out

hospitalI’ve been remiss, and have ignored this blog — but then again, everything has been on hold recently. The picture at left is a shot taken by my wife about a month ago — I was unexpectedly hospitalized with a sudden infection.

To copy the update that I posted on Adamant Entertainment’s site: I came down with a very severe case of diverticulitis which resulted in the removal of 12 inches of my colon, and a secondary severe abdominal abscess, which they thankfully caught before it burst (which, I am told, would have likely resulted in severe enough peritonitis to kill me). This resulted in a 9-day hospital stay, and an estimated 6-8 week recovery period involving at-home nurse care and an eventual secondary operation to repair the colon (another week-long stay in the hospital).

Basically, I’ve been getting down with the business of getting well, and as such, everything else has been paused. I’m slowly getting back to work (a few hours each day), and I’m even thinking that I’ll start updating this more regularly (I’ve been tempted to start up my old Friday Music series again, for example).

So for folks who’ve been checking in: I’m still alive, I’m getting better, and I’ll be back soon.

Insurgent Creative: Zacharius Q&A

Insurgent Creative

Insurgent CreativeSay what you will about Joe Konrath (and I certainly have). Bombastic, self-aggrandizing, relentlessly abrasive, triumphalist one-true-wayist guru of self-publishing, his style grates on many. And yet, to be scrupulously fair, he isn’t often wrong. He was an early adopter of the Insurgent Creative model, a C-lister who took his rights-reverted published novels and self-published, along with other rejected manuscripts, and has made a shedload of money as a result. He is open with his numbers (screen caps of Amazon earnings reports), and, if you can wade through the bullshit posturing, a lot of his advice is solid.

His latest effort, though, is a real eye-opener.

Here’s the skinny: A traditionally-published author posted openly about what she’s been paid. She then took it down, because it was a violation of her contract’s non-disclosure clause. Lexi Revellian blogged about it, complete with a captured grab of the original post, and then that blog entry was mentioned on The Passive Voice blog (which if you aren’t regularly reading, you should be).

In the comments of the The Passive Voice post, Steve Zacharius, the CEO of Kensington Publishing (the largest of the independent publishers outside of the Big 6, or 5, or whatever the hell they are now), responded to several comments (which is, itself, kind of unbelievable).

So, Konrath decided to use his blog to respond to Zacharius’ comments, point for point.

…and that’s when it took off. Steve Zacharius responded via email (and gave Konrath permission to put his answers on the blog). So Konrath updated the blog post with the new responses.

Zacharius responded again. And again. To date, there have been 4 rounds of back-and-forth between Konrath and Zacharius, becoming a HUGE conversation between self-publishing and traditional New-York-based legacy publishing. And some of what Zacharius says is a real eye-opener for any writer weighing the options of shooting for a traditional publishing contract, or life as an Insurgent Creative.

Read here — it’s going to take a while, but it’s worth every minute: “Questions From Steve Zacharius, CEO and President of Kensington”