Something Stirs…

The latest issue of WIRED has a story about Robert Rodriguez and SIN CITY.

They talk about how he’s combined his no-budget guerrilla filmmaking techniques, first displayed in El Mariachi (filmed during summer vacation in Mexico for 7 grand), with the latest in digital technology. He does everything himself, out of a studio he built at his house in Texas. He now shoots digital, edits on a computer, puts in special effects digitally, scores the music digitally, and combines it all himself. I remember watching the making-of documentary on the DVD of Once Upon A Time In Mexico, where he talked about the fact that the shoot-out in the church was actually filmed with rubber guns, because their actual working props were held up at the border…so they mimed the entire fight, and then he went in later and digitally added sound, muzzle-flash, spent bullet casings and bullet squib hits in post-production. If I hadn’t been told that, I wouldn’t have been able to tell.

I got the film bug again.

Laura, running errands yesterday, swung by Borders and got me Rodriguez’ book: Rebel Without a Crew: Or How a 23-Year-Old Filmmaker With $7,000 Became a Hollywood Player. It’s exerpts from the journal he was keeping before, during, and after making Mariachi, an appendix called “10 Minute Film School” and the complete shooting script to the film.

I read it from cover to cover last night.

I’ve definitely got the film bug again.

I’ve also decided that when I start working on it, I’m going to document the project via LiveJournal. The question is whether I’m going to use this one, or start up a new one specifically for that purpose.

Friday Music

Got some more goodies for you this week:

Isaac Hayes – “Walk On By”: If you’re only familiar with the sugary Dionne Warwick ballad version of this song, give this a listen and prepare to be surprised. A slower tempo, darker music (swelling strings and some truly nasty funk guitar), and Isaac “Shaft” Hayes backed by some Soul Girls make this feel like it’s not even the same song. Early 70s Soul at its finest.

Zap Mama – “Wadidyusay” : Zap Mama is an Afro-European group from Belgium. It’s difficult to describe their style…a mix of Afro-Cuban rhythms, Congolese vocals, American urban samples and mixing….give it a shot. I think you’ll like it.

Thomas Dolby – “Airhead”: I’m a big fan of Thomas Dolby. Most folks know him for the singles from his first album (“She Blinded Me With Science” and “Europa and the Pirate Twins”), and some know the single from this second album (“Hyperactive”). This was the attempted single (it didn’t really go anywhere) from his under-rated third album, Aliens Ate My Buick.

@nubis – “Big In Japan”: Our weekly dose of self-pimping — another of my @nubis tracks. Traditional instruments, move-your-butt dance grooves, Gojira’s roar and the Mothra Twins song. Gotta love it.

Here’s a confession: I don’t really mind disco, as long as it was good. I’m also a sucker for big orchestral arrangements, which a lot of good (well, and bad, to be fair) disco tracks featured. Here’s one that I like quite a bit: Andy Gibb – “Shadow Dancing”, a 1978 track from the younger brother of the Bee Gees.

Shifting decades now: The 80s were a great decade for movie music. The Prime Movers – “Strong As I Am” was a featured song in Michael Mann’s brilliant serial killer movie “Manhunter”, which was the first film to feature Hannibal Lecter (the film was later remade as “The Red Dragon”, the original title of the Harris novel, with Anthony Hopkins reprising his “Silence of the Lambs” role, and Edward Norton playing the lead character originally played by a Pre-CSI William Peterson). Michael Mann made great use of music in his 80s work (Miami Vice, for example), and this is a perfect example, which suited the scene (the killer sitting in his van, torn by an apparent betrayal, and struggling with a desire to return to killing) brilliantly.

And, to finish off the week, another example of international hip-hop, this time from Germany: Curse – “Feuer über Deutschland”. After a fairly standard intro-and-brag set that lasts maybe a bit too long, the main riff kicks in, and Curse tears it up, with a shout-out to Schweiz und Österreich as well.

Friday Music

Got some more goodies for you this week:

Isaac Hayes – “Walk On By”: If you’re only familiar with the sugary Dionne Warwick ballad version of this song, give this a listen and prepare to be surprised. A slower tempo, darker music (swelling strings and some truly nasty funk guitar), and Isaac “Shaft” Hayes backed by some Soul Girls make this feel like it’s not even the same song. Early 70s Soul at its finest.

Zap Mama – “Wadidyusay” : Zap Mama is an Afro-European group from Belgium. It’s difficult to describe their style…a mix of Afro-Cuban rhythms, Congolese vocals, American urban samples and mixing….give it a shot. I think you’ll like it.

Thomas Dolby – “Airhead”: I’m a big fan of Thomas Dolby. Most folks know him for the singles from his first album (“She Blinded Me With Science” and “Europa and the Pirate Twins”), and some know the single from this second album (“Hyperactive”). This was the attempted single (it didn’t really go anywhere) from his under-rated third album, Aliens Ate My Buick.

@nubis – “Big In Japan”: Our weekly dose of self-pimping — another of my @nubis tracks. Traditional instruments, move-your-butt dance grooves, Gojira’s roar and the Mothra Twins song. Gotta love it.

Here’s a confession: I don’t really mind disco, as long as it was good. I’m also a sucker for big orchestral arrangements, which a lot of good (well, and bad, to be fair) disco tracks featured. Here’s one that I like quite a bit: Andy Gibb – “Shadow Dancing”, a 1978 track from the younger brother of the Bee Gees.

Shifting decades now: The 80s were a great decade for movie music. The Prime Movers – “Strong As I Am” was a featured song in Michael Mann’s brilliant serial killer movie “Manhunter”, which was the first film to feature Hannibal Lecter (the film was later remade as “The Red Dragon”, the original title of the Harris novel, with Anthony Hopkins reprising his “Silence of the Lambs” role, and Edward Norton playing the lead character originally played by a Pre-CSI William Peterson). Michael Mann made great use of music in his 80s work (Miami Vice, for example), and this is a perfect example, which suited the scene (the killer sitting in his van, torn by an apparent betrayal, and struggling with a desire to return to killing) brilliantly.

And, to finish off the week, another example of international hip-hop, this time from Germany: Curse – “Feuer über Deutschland”. After a fairly standard intro-and-brag set that lasts maybe a bit too long, the main riff kicks in, and Curse tears it up, with a shout-out to Schweiz und Österreich as well.