Quid Pro Quo

In early February, Jalal Sharafi, an Iranian diplomat at their embassy in Baghadad, was abducted by men wearing the uniforms of the Iraqi 36th Commando Battalion – a special Iraqi unit under US direction.

This came a month after US Forces raided an Iranian consulate in Arbil, northern Iraq, and detained five staff members. Of course, most major media retracted details almost immediately after the raid, claiming that it wasn’t a consulate…..because of course, such an action against a consulate would be an act of war.

Tuesday, Jalal Shafari was released.

THE NEXT DAY, Wednesday, in an act that American media has almost universally called a “suprise” or “unexpected”, Iran released the 15 British sailors and marines they had captured on March 23rd.

Of course, there are denials all around that the events were connected. No relation at all. A diplomat is released after being held for two months, and then immediately afterward, Iran releases British personnel. Huh. Quite the concidence.

It gets deeper. Sharafi is claiming that he was tortured during questioning, directed by the CIA. The US response? “The CIA does not conduct or condone torture.”

(Well, aside from contractors, of course. Oh, and rendition. Oh, and water-boarding isn’t technically “torture.” And..etc. etc. etc.)

Don’t expect any of this to be spelled out for the American public. It disturbs the narrative. After all, the EEEEEeeeevil, hostage-taking Iranians are obviously ASKING for it. We’re gonna Git-R-Done. Payback for ’79, baby.

Friday Music

Sorry it’s a bit late today, kids — I’m up to my armpits with work — a major release coming later today.

Anyway:

I was a huge fan of Men at Work, and although I liked the quirky new-wave-y tracks written by Ron Strykert (the ones which never got any airplay), it’s really no secret that the heavy lifting in the songwriting department was done by frontman Colin Hay. Well, Hay is still touring, but doing mostly accoustic sets. Here is a great accoustic version of one of my favorites: Colin Hay – “Overkill.”

New song and new artist, brought to my attention by . More Neo-new-wave. I like it quite a bit: Shiny Toy Guns – “You Are The One.”

More with the new — this is an absolute earworm of a track. I’m warning you: once you’ve put it into your brain, it’s damn near impossible to shake loose. A brilliant dance track featuring, of all things, a children’s chorus: Justice – “D.A.N.C.E.”

More from the soundtrack to Velvet Goldmine, just because. Coincidentally, my favorite track by Brian Eno. Brian Eno – “Needle in the Camel’s Eye.”

Late-90s attitude-heavy hip-hop from DMX. Warning for those at work: The language in this track is definately not work-safe, and depending on your personal views on the so-called “N-word”, this might not be your thing. DMX – “Ruff Ryder’s Anthem.”

A while back, Jimmy Fallon did an SNL skit where he played Barry Gibb running a talk show. He and Justin Timberlake sang the theme of the talkshow, which was based on this song. The skit was funny, but it reminded me that I hadn’t heard this song much since the anti-disco backlash of the 1980s, and I really liked it. The Bee Gees – “Nights on Broadway.”

Lastly, another new track, from an electronica act from Santa Ana, California. These guys mix jazz and breakbeat into a swinging whole. Old meets new. Very cool: Free The Robots – “Jazzhole.”

There you go. Hope you like ’em. Now, back to the grind.

Grindhouse in Lawrence

I’m thinking of enhancing the true flashback grindhouse experience by seeing Grindhouse in the crap-tastic Southwind 12 here in Lawrence. Sure, there won’t be junkies shooting up in the back row, or hookers plying their trade, but hey, at least the seats will be cramped and the floor will be sticky!

There’s a matinee (I just typo’d that as “manitee”, which gave me a few laughs) at 1:20 on Saturday. I think that’s where I’ll be, if anyone else is interested.