Work (and other) Updates

  • Prep work on Far West continues. Finishing up and sending out the investor’s prospectus this week. Hope to get the website up and running soon after, and then the development content will start appearing. The whole thing has a very “snowballing” feel to it — getting bigger and bigger as it pushes me further and further forward. Slightly terrifying.
  • Getting ready to make the next big announcement I promised last week. The details will wait for the official PR, but the gist of it is that Adamant is entering into a print partnership, and our products (starting with MARS, but including a bunch of others) will start hitting your local game stores in September or so.
  • Cancelled our proposed Traveller sourcebook, Final Frontier: The Unauthorized Sourcebook to the World’s Most Popular SF TV Franchise, for several reasons — first and foremost being the amount of things on my plate at the moment (specifically the effects of the first bullet point, above). The thought of a potential legal scrum was there as well, although admittedly low on the list, along with doubts about potential audience viability. Really, though — the main thing was that I’ve got enough irons in the fire right now, and I should be careful not to confuse what I’d love to see as a player with what I should be working on as a publisher.
  • On a related topic: Worked some connections to get a copy of Michael Giacchino’s score to Star Trek, ahead of the album’s release next Tuesday. I’m a big fan of Giacchino’s work (especially what he did on The Incredibles, Mission Impossible III and Cloverfield), and I’m pleased to report that he’s in top form. It was a good choice to steer away from the well-known Goldsmith theme (which has been over-used) and go with original composition — his themes are his own, which fit the nature of the film. That said, I’m also filled with glee that he does manage to slip in the original Alexander Courage TV theme into the end credits, which ties everything up with a nice bow.
  • Layout is proceeding on the next slate of Adamant releases: three more Venture 4th products (By Skill Alone: a collection of skill challenges; Pact of the Dragon Lords and Pact of Ghosts: new Warlock pacts) and the True20 version of Imperial Age.
  • Development proceeding on several projects, announced and unannounced — some Super, some Savage, and some Squamous.
  • Fiction work also underway, which, in deference to my workload, I’ve whittled down to a mere two projects underway at any given time. I have to make sure that I don’t give this the short-shrift when Adamant stuff demands more time.
  • Thoughts on Specter

    It’s tempting to celebrate the announcement that Arlen Specter is switching parties, since (once the ridiculousness in Minnesota is over), it will give the Democrats a filibuster-proof majority.

    However…

    Here’s the thing: Specter is likely to be another Lieberman, sticking in the Democrat’s craw, holding his vote for ransom, etc. Not a sure 60th vote, no matter how you look at it.

    He was facing a primary loss to a right-wing nutjob in the Pennsylvania Republican primary. A right-winger performs well with the increasingly hard-right Republican base, making for an easy primary victory… but can’t compete in a largely moderate state in a general election. The Democratic candidate will win Pennsylvania — and now, Specter’s move prevents the chance of getting a true Dem elected to that seat (unless the Dems mount a primary challenge, which will be tougher to do).

    So, thanks to Arlen’s desire to maintain his grip on the reins of power, the chance at a solid, dependable Democratic Senator taking that seat is now much, much slimmer than it was just a few hours ago.

    Friday Music Returns!

    I know, I know — it’s been a VERY long time. Sue me, I’ve been busy.

    However, The Minion (among others) have been pestering me, so here you go: another mixtape of the internets.

    We’ll kick things off with another brilliant mashup by DJ Schmolli, taking Metallica, The Ting Tings and the Beastie Boys, and giving us: DJ Schmolli – “Shut Up Brooklyn Sandman.”

    Heard this track courtesy of a recommendation by SF author John Scalzi. This is a track from the new album, It’s Blitz by the Yeah Yeah Yeahs. Hard to believe this is the same group that did “Maps.” Yeah Yeah Yeahs – “Zero.”

    Moving from new to old, a track from the 80s that barely gets any play in the retro-radio circuit. I’m always irritated by shows spotlighting “One-Hit Wonders”, since they often feature bands that DID have other hits — just not in the US. I’ll be damned, though, if these guys weren’t a genuine case of one-hit status, releasing only a single EP in 1982, and then never heard from again. The Monroes – “What Do All The People Know.”

    We’ll stick with the 80s for a moment (because I turn 40 this June, and so I’m right on schedule for the sad-bastard nostalgia phase of the mid-life crisis), and feature one of my favorite singles from college radio at the time (what eventually became ‘alternative’). Echo & The Bunnymen – “The Cutter.”

    Back to the new (although firmly in the realm of New Wave revival), with a track that I discovered through a video post by . Ida Maria – “I Like You So Much Better When You’re Naked.”

    Mixing New Wave with Dance electronica, a name taken from an early-80s Queen track, and a look taken from Missing Persons’ Dale Bozzio, Lady GaGa is one of the more shamelessly retro acts right now, and I’m loving it. Here’s the current single: Lady GaGa – “Poker Face.”

    We’ll finish out with another 80s track — one of my favorites from Yes’ 1983 re-invention album, 90125. I wore out something like three cassette copies of this album. Yes – “Leave It.”

    There you go, kids. Enjoy.