Alpha Waves Radio

Just a heads-up for those interested:

I just got through recording an interview segment which will appear on the Alpha Waves internet radio show, this Friday the 17th at 8 p.m. Eastern/5 p.m. Pacific.

The subject of the show is “Pulp (Science) Fiction”, and will feature Planet Stories publisher Erik Mona, Doc Wilde author Tim Byrd, and your humble narrator.

Weekend Update

Fairly uneventful weekend — and the first that I didn’t work through in about a month and a half.

  • Watched Doctor Who – The Planet of the Dead, which aired in the UK on Saturday. Fun, but nothing particularly “special” about it. Felt like a mid-season episode (which, really, I suppose it is). Michelle Ryan was a nice short-term companion (and in a full season, would’ve made for a great long-term one). Some *very* interesting foreshadowing of what’s to come (in the form of a prophecy of sorts).
  • Major GeekScore at Half-Price Books on Sunday: Found still-in-shrinkwrap DVDs of Filmation’s Lone Ranger & Zorro cartoons, as well as one of the major loves of my childhood: Jason of Star Command!
  • Saw a bunch more Doc Savage and Shadow reprints at Half-Price, but didn’t have a list of the ones I already own handy, so I had to walk away.
  • Finished getting caught up on the past year’s worth of Green Lantern, Green Lantern Corps and Immortal Iron Fist. Good stuff — I’m not as big a fan of the new creative team on Iron Fist as I was of the launch team, but it’s still enjoyable, with nice easter eggs here and there for martial arts film fans (Example: A flashback to the Old-West version of Iron Fist, whose name is Kwai Jun-Fan — combining the name of Carradine’s character from the “eastern Western” Kung Fu, Kwai Chang Caine, with the Cantonese name of Bruce Lee, Lee Jun-Fan).

Finishing up some work today and tomorrow (including developmental stuff on Far West), before heading to Las Vegas for the GAMA Trade Show.

PDFs & Piracy

A collection of thoughts on the subject which I’ve sent to various fora and mailing lists over the past couple days, placed here for the edification of interested parties.

WotC CEO Greg Leeds did another interview, with the gaming website ENWorld, where he says many of the same things he does in the interview I linked in the last entry. However, there was an interesting additional bit of information, where he says: “We cannot share sales figures, but I can tell you that we conservatively estimate the ratio of illicit downloads to legally purchased copies was 10:1.” (and he clarifies that he means legally purchased PDF copies, rather than copies as a whole.)

Here’s the rub, though — just going with sample “X” figures — if your sales looked like this:

100X = printed sales
10X = pirated PDFs
1X = legitimate PDF sales.

Getting rid of the 1X in legit sales doesn’t do a damn thing but lose you the money from those sales. A large segment of the 10X pirates were never going to be customers in the first place — they just grabbed it because they could. In addition, even without the legit PDFs to use as source, you’re still going to have 10X pirated — they’ll come from book scans, production files (the source of the pirated core 4E books which hit the net last year), etc.

So if you, like WotC, choose to remove the 1K legitimate PDF sales, all you’re really doing is irritating customers, and leaving that money on the table.

What to do about piracy, though?

Simple:

MAKE YOUR LEGAL OPTION CONVENIENT.

That’s it. You’re not going to stop piracy, so efforts to “error-trap” against piracy are fruitless. Concentrate on those individuals that ARE willing to pay you, and make it as easy for them as possible.

Example: Pirated music is easy to acquire, via sharing networks, torrents, or even just posted online. Yet, Apple is making a TON of money with iTunes, where people are paying for legal copies. So much money that Amazon decided to offer mp3 downloads of their own. They saw that even with the proliferation of free pirated versions — people WANT to pay for it and support the artists. So they made it convenient and easy.

Seriously — it’s not rocket science, folks.

Interestingly, a recent study by the Harvard Business school and UNC-Chapel Hill studied the effects of pirated music downloads on legitimate sales. The results showed that it took 5,000 downloads for the sale of an album to be reduced by one copy — and when it came to popular artists, record sales actually improved from downloading music: sales increased by one copy for every 150 downloads. (If you’re interested, a pdf of the study is available here.)

As publishers, we shouldn’t be freaking out about pirates — they’re always going to exist, they’re not our true customer base, and in fact their efforts may even help the largest of us recruit more paying customers. Our customers *want* to give us money, and we should make it easy for them to do so.

The trends on this kind of thing and the failures of past responses are well-documented. There’s an entire array of study and dissection of ePublishing, digital commerce and piracy, yet it seems like nobody is bothering to educate themselves on it before making decisions.