Bailout

Why in the world would the American people have a problem with the Bush Administration completing its transfer of our Treasury to their big-business friends via this bailout? I mean, it’s not as if they already lined the pockets of their allies by outsourcing almost every bit of the Iraq War, having the energy policy dictated by Oil and Power companies, deregulating almost every industry and cutting back on environmental protections….

Oh, wait.

Can somebody tell me why we’re not screaming our fucking heads off about this? 700 billion dollars of our money, to bail out greedy corporations — they get away scot-free and we get — what, exactly?

Come on, people — I know “math is hard,” and economics makes most people’s eyes glaze over — but this is a fucking obvious cash grab. Wake up, and GET ANGRY!

Friday Music!

Glad to be back — missed last week’s entry because I was sick. So, here we go:

First up — a cleaner copy than the one I posted yesterday (which had DJ chatter all over it). This is the new Bond theme, and it’s a total earworm. Are we looking at the first hit-single Bond theme since 1985’s View To A Kill? Who knows — and I don’t really care: *I* love it, and that’s all that matters to me. Jack White and Alicia Keys – “Another Way To Die.”

Took a bit of digging to find this track — I heard it when it was used as the end-credits music for the first episode of HBO’s southern-cracker-vampire show, True Blood. I liked it far better than the track they’ve chosen for the main theme (a passable bit of country-rockabilly reminiscent of Chris Issac’s “Baby Did A Bad Bad Thing.”). This track is country, but it also is *extremely* close to the sound of Fleetwood Mac (specifically, “The Chain”), thanks to the bass drum and the two-men/two-women harmonies. The lyrics are moody as fuck, too. Give a listen — Little Big Town – “Bones.”

Some new UK music, from the Glasgow-based group The Cinematics. This track is actually a cover of an album track by Beck, but the band gives it one helluva mid-80s Echo & The Bunnymen vibe: The Cinematics – “Sunday Sun.”

Staying with the Glasgow theme for a bit, here we have the lead track from the debut album by a new band from there, released last week (and with one of the all-time best band names, in my opinion): Glasvegas – “Flowers and Football Tops.”

A song I hadn’t listened to in a while, but which remains one of my favorites from the early 80s: Flock of Seagulls – “Wishing (If I Had A Photograph Of You).”

Oops — now I’ve done it. I’ve entered the Nostalgia Zone. Another track from the 80s — from the soundtrack of a mediocre movie, skyrocketted to chart success because the public was hungry for more Springsteen, but had exhausted the singles from Born In The USA. I have to admit, I still think of this song as being the work of “Eddie & The Cruisers”, even though I know that it’s John Cafferty & The Beaver Brown Band – “On The Dark Side.”

The song that introduced me to Johnny Clegg — his first US single, from 1988’s Shadow Man: Johnny Clegg & Savuka – “Take My Heart Away.” The Zulu response in the verse is Dedela umoya wami, Baba — Set my spirit free, Father.

Lastly, a Friday guilty pleasure from the Josie & The Pussycats soundtrack, a more-than-serviceable bit of pop-punk to get your asses moving and ready for your weekend: Josie & The Pussycats – “Spin Around.”

There you go, kids — as always, if the links give you trouble, try copy-and-paste.

Enjoy.