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Still busy with the kids’ visit, but I’d planned ahead and gathered some tracks for Friday Music:

She Wants Revenge have just completed recording their follow-up album, and naturally, a track has already leaked to the internet (most likely by the band itself, or their marketing team). Good stuff — sounds like we’re in for another album of Bauhaus/New Order/80s-alternative Redux — She Wants Revenge – “Written in Blood.”

Venturing more into traditional “rock” than the earlier albums, here’s another track from UNKLE’s new album, War Stories, which was just released: UNKLE – “Chemistry.”

David Bowie’s Life on Mars is one of my favorite songs. It’s so good, it’s almost impossible to do a bad cover of it. It even sounds great accoustic, and in Portugese: Seu Jorge – “Life On Mars.”

A little bit of heart-pumping music to get you moving and launch you into the weekend: Juno Reactor – “High Energy Protons.”

Another track from M.I.A.’s new album, Kala, due out in August. Experimental grime, non-western rhythms — the more I hear, the more I want. M.I.A. – “Bird Flu.”

Sometimes, you just need a little bit of Johnny Rotten and Afrika Bambatta. A song which, sadly, is just as appropriate today as it was when it was released, 20 years ago: Time Zone – “World Destruction.”

A new band I’ve discovered during the past week — from Northeast London, mixing electronic sounds of retro analog synths with driving guitar. Love this. Quite a bit: The Ghost Frequency – “Money on the Fire.”

and I watched Zodiac this week, and oddly enough, it turned into a very musical experience for me. It led to two of those experiences where you hear a song that you had completely forgetten about.

The first one is a bit strange. Hearing a snippet of music in the movie, I was struck that I knew it. But a quick bit of digging revealed that the song (a 70s pop-country smash – “I Never Promised You a Rose Garden” by Lynn Anderson) wasn’t a song that I really knew. Puzzled, I kept digging. I found out that the lyrics that had struck me had been sampled in a late-80s dance track. The name wasn’t familiar, but I gave a listen…..and BANG! — I was transported to “Boys & Girls”, a dance club in Atlanta in 1988. I loved this song, and had completely forgotten it. Kon Kan – “I Beg Your Pardon.”

The second is a track from the 70s (playing in a diner scene in the film), which I loved when I was a kid. I used to sing along to it — completely oblivious to the racial-tension content of the lyrics: Stories – “Brother Louie.” (Or, as I used to call it as a kid – “Louie-Louie-Louie-LouEYE.”)

Lastly, the closing credits song from the film — nothing I’d forgotten, just something that I’ve always liked, for its unabashed psychedelia. Definitely has a creepier air to it, when used in a film about a serial killer. Context, I suppose, is everything. Donovan – “Hurdy Gurdy Man.”

I’m honored to have had the opportunity to meet William Burroughs briefly in the early 90s, as he lived out his final days here in Lawrence. A few years previous to our encounter (on a street outside a grocery store — I gave him a lift home), he collabortated with Material, who mixed in music surrounding his spoken-word recordings — Here’s my favorite of those tracks: Material (feat. William Burroughs) – “The Seven Souls.”

I was a big fan of the Dublin-based Hothouse Flowers, best known in the US for their “college radio” single of the late 80s/early 90s, “Don’t Go.” In 1993, they released this single, which didn’t do nearly as well for them here, but stands as my favorite song by the group. I’m not a big fan of pagan religious music — in my experience it’s almost all RenFest/Folk/NeoCeltic noodling with bad LOTR lyrics and awful drumming, or sub-standard singer/songwriter open-mic tripe — but occasionally, I find songs, never intended as “pagan”, which I consider to be religious epiphanies. This is one of them. Hothouse Flowers – “Thing of Beauty.”

In 2006, Róisín Murphy released Ruby Blue her debut solo album — which I posted tracks from extensively here on Friday Music. She’s now preparing to release her second album, Overpowered, this Fall. Here’s the first single from the album, and I’m loving it: Róisín Murphy – “Overpowered.”

Lastly, a nice bit of mash-up: Kanye West (with a bit of Jamie Foxx) mixed with Walter Murphy’s disco take on Ludwig Van – A plus D – “Beethoven’s Fifth Gold Digger.”

Git down, girl, go ‘head, git down.