Insurgent Creative: Lawrence-Area Self-Publishing Salon

This one is a more locally-focused than most of my Insurgent Creative posts, but it fits the category, so I hope that non-local folks will indulge me here.

After discussions with a few local friends exploring the independent creative option, it occurs to me that we might all benefit from a local-area, regularly-scheduled get-together, specifically to discuss self-publishing, indie production, etc. There are certainly other groups and gatherings in the area, but those are largely devoted to networking, socializing and general commiserating — which, to be clear, are absolutely worthy goals, and this is not any effort to supplant those in any way. However, a more informational, data-and-resource-sharing Salon-esque gathering would be a valuable resource for area creatives, and I think I’d like to give it a go.

Insurgent CreativeIf you are local to the Kansas City, Lawrence or Topeka area (or are willing to make the drive approximately once every month or so), feel free to sound off in the comments below, AND please drop me a line via email. Once I’ve got contact info for interested folks, I’ll email you all with polls about meeting places and times. Feel free to forward the link to this announcement to anybody that you know who might be interested.

All levels of experience are welcome, from those who are already engaged in independent publishing, to those merely interested in the possibility. The idea here is to share perspectives and experience, so the more the merrier.

A quick note: I’m not crazy — I know that everybody is up to their eyeballs right now with getting work done and prepping for the holidays, so our Insurgent Creative Salon will not kick off until the new year. I’m just talking about it now, to get the ball rolling.

Interested? Let’s hear from you.
 
 
EDITED TO ADD: I realize that some newer folks coming to this post might not know where the whole “Insurgent Creative” thing is coming from. Short version: A series of blog posts I did at this time last year, giving links to resources for folks trying to make an independent living as a creative. The big page o’ links to the original 24 posts can be found by clicking this link — and further posts on the topic from throughout 2012 can be found by going to the “Categories” drop-down below, and choosing “Insurgent Creative,” or clicking the logo above at right.

Re-Election

Posting this mostly for journaling purposes — I was looking at the 2008 and 2004 elections from my heavier-blogging days, and realized that I really should have something here on 2012. Rather than go through the time and trouble of saying things that other people have already said, or that I said myself on social media last night, I decided that I’d use the opportunity to instead just copy my twitter posts from election night, as it happened (tweets from others are, obviously, things that I re-tweeted):

https://twitter.com/gmskarka/status/265983077052993536

https://twitter.com/bobbyfinger/status/266001246715015169

https://twitter.com/dizzyjosh/status/266008121619644417

https://twitter.com/GailSimone/status/266022075335053312

https://twitter.com/Tepper/status/266027719085658113

https://twitter.com/chrisfholm/status/266040612967555074

Tour De Bond: The Music of James Bond

Just finished reading The Music of James Bond by Jon Burlingame, which is a film-by-film exploration of the themes and scores of all of the Bond film up until Quantum of Solace. For somebody like me, both a music geek and a Bond obsessive, this is manna from heaven. Burlingame gives an analysis of each film’s score, track by track, but also the behind-the-scenes stories of the music’s creation, including false starts and lost themes along the way.

We hear about the original theme to Moonraker, with lyrics by Paul Williams (The Muppet Movie, etc.), which was going to be sung by Frank Sinatra. The For Your Eyes Only theme sung by Blondie (and eventually included on their 1982 album, The Hunter). The fact that Annie Lennox and Dave Stewart were supposed to do a theme for License To Kill, but that during the screening, Lennox was put off by the shark attack scene and backed out.

One of the coolest bits of information, for me, was the fact that there was an entire verse cut out of Diamonds Are Forever during the recording session. Diamonds is my favorite of the Shirley Bassey-sung Bond themes — although the film is, frankly, pretty bad, I love the song even more than Goldfinger:

http://www.youtube.com/watch?v=80A6MtPwj-Q

The book reveals the lyrics to the missing verse:

Diamonds are forever
I can taste the satisfaction
Flawless physical attraction
Bitter cold, icy fresh, till they rest on the flesh they crave for

The book also tells the story that David Arnold was chosen as the composer for the past five films largely due to his album of reworked Bond themes, Shaken and Stirred, which showed the producers that he could mix traditional Barry-style arrangements with more modern electronic techniques.

I love that album — it’s out of print, but if you can find it, grab it. My favorite track, a mash-up of the theme from On Her Majesty’s Secret Service and the Space Capsule music from You Only Live Twice, done with The Propellerheads:

With Skyfall opening in the US next week, and the 50th anniversary of the films, it’s a great time to be a Bond fan.