Mind-shattering Horror of Synchronicity….

In a strange coincidence, Salon lead with a Lovecraft story today–supposedly coverage of the release of “H.P. Lovecraft: Tales” from the Library of America…but naturally, Salon instead takes the usual opportunity to regale us with the usual “why is he famous? He’s awful…oh, and a repressed racist”, etc. etc.

After reading it, I was irritated enough to fire off a letter to the editor, which I present here:

“It would have been nice if Laura Miller’s piece on Lovecraft had presented any quotes or arguments from the opposing side of the issue, rather than her fixation on the “Lovecraft-as-hack-racist-or-at-best-campy-oddity” angle.

Some might even say that it would have been professional, rather than this example of High School journalism-class mediocrity.

It should have been a clue that her juiciest quotes to back her angle came from Edmund Wilson, a long-dead critic….oh, and her nameless writer pal who supposedly ashamedly denies that his award bust is a likeness of Lovecraft.

In the end, I suppose it is a tribute to Lovecraft’s enduring nature that now, some 70-odd years after his works were originally published, it’s still fashionable for hipper-than-thou, self-declared intelligensia to write hatchet-jobs about him and his work.”

You don’t fuck with my Providence Homie, Yo.

The Mind-Shattering Horror of Synchronicity…

In a strange coincidence, Salon lead with a Lovecraft story today–supposedly coverage of the release of “H.P. Lovecraft: Tales” from the Library of America…but naturally, Salon instead takes the usual opportunity to regale us with the usual “why is he famous? He’s awful…oh, and a repressed racist”, etc. etc.

After reading it, I was irritated enough to fire off a letter to the editor, which I present here:

“It would have been nice if Laura Miller’s piece on Lovecraft had presented any quotes or arguments from the opposing side of the issue, rather than her fixation on the “Lovecraft-as-hack-racist-or-at-best-campy-oddity” angle.

Some might even say that it would have been professional, rather than this example of High School journalism-class mediocrity.

It should have been a clue that her juiciest quotes to back her angle came from Edmund Wilson, a long-dead critic….oh, and her nameless writer pal who supposedly ashamedly denies that his award bust is a likeness of Lovecraft.

In the end, I suppose it is a tribute to Lovecraft’s enduring nature that now, some 70-odd years after his works were originally published, it’s still fashionable for hipper-than-thou, self-declared intelligensia to write hatchet-jobs about him and his work.”

You don’t fuck with my Providence Homie, Yo.

Lovecraftian Goodness

For those of you who don’t read ‘s journal:

The HP Lovecraft Historical Society are putting together a film of Lovecraft’s most famous tale, “The Call of Cthulhu.”

They’ve put up a nifty trailer for the project, done to look like a 1930s film, on their site.

Yet again, I find myself wanting to make a movie.

In related news, it occurred to me earlier this week that given the fact that Lovecraft’s work is in the public domain, and the proliferation of horror rules for the D20 system released as Open Content under the OGL, I could easily capitalize on the fact that Chaosium has (stupidly) chosen to abandon all support of the D20 version of the Call of Cthulhu RPG, by producing my own material under the title Lovecraft D20. Possibly worth doing. I shall think upon it.

Oh, and be sure to check out the music that I posted in the last entry. It didn’t generate as many comments as I expected…I suspect because of the time I posted it, which meant that by the time most of you read your LJ “Friends” pages, it had been bumped by various Quizillas and Memes.

Either that, or you thought it was all crap, and you’re just being polite.