 Today I was going to talk about how to build a fanbase, which, as I’ve mentioned before, is absolutely critical to a successful career as an Insurgent Creative.   As I began to take notes on my advice, however, I realized very quickly that I was pretty much just re-stating things that I’d learned elsewhere.   So, I figured that I’d just point you in the direction of the source.
Today I was going to talk about how to build a fanbase, which, as I’ve mentioned before, is absolutely critical to a successful career as an Insurgent Creative.   As I began to take notes on my advice, however, I realized very quickly that I was pretty much just re-stating things that I’d learned elsewhere.   So, I figured that I’d just point you in the direction of the source.
Fan, Friends & Followers: Building an Audience and Creative Career in the Digital Age is a book by Scott Kirsner (writer for the Boston Globe, Fast Company, Wired and more). It features 30 interviews with various creatives, all centered around the idea of new gatekeeper-free business models. The interviews were conducted in 2008/2009, but most of the advice presented is still applicable.
You can download a PDF sample of the book at the above-linked website. It’s also available for order from Amazon (in print, or as a Kindle edition).
I was introduced to this book when Scott Kirsner did a presentation at South By Southwest in 2010.  That same year, he did a similar presentation (although more detailed — twice as long — more of a workshop) for the Bay Area Video Coalition, who recorded it and posted it to Youtube in two parts:
 
 
 There’s a lot to go through there — two hours of video, a 200-page book.  But again, there is perhaps no other factor more important to operating without gatekeepers.  Ironically, it’s even become important to creatives operating with traditional gatekeepers:  At the same SXSW where I heard Kirsner speak, I attended another panel discussion on the future of publishing, where representatives of the big publishing houses said that they were most interested now in authors that (in the buzzword-y parlance of the field) “come with tribe.”    In other words, authors who brought a pre-existing audience along with them.   Of course, the obvious question here is:  If an author already has an audience, why do they need the big publishing houses?
There’s a lot to go through there — two hours of video, a 200-page book.  But again, there is perhaps no other factor more important to operating without gatekeepers.  Ironically, it’s even become important to creatives operating with traditional gatekeepers:  At the same SXSW where I heard Kirsner speak, I attended another panel discussion on the future of publishing, where representatives of the big publishing houses said that they were most interested now in authors that (in the buzzword-y parlance of the field) “come with tribe.”    In other words, authors who brought a pre-existing audience along with them.   Of course, the obvious question here is:  If an author already has an audience, why do they need the big publishing houses?
Storm the gates.
 
 
 

