Bondage

Long-time readers will know that I’m a huge fan of James Bond. As I mentioned in my Tour de Bond series from last Summer and Fall, I’ve been a fan since about age 10. Bond is essentially responsible for my career — I got into role-playing games when a friend gave me a copy of TSR’s Top Secret, because of my Bond-fandom. That led to D&D, which led to Star Frontiers… which, following down a VERY long path, eventually led to my career. I named my son after Ian Fleming.

I am pleased to note that I am currently steeped in Bond — the new novel, Carte Blanche, by Jeffery Deaver arrived on my doorstop this week (the day after my birthday, in fact), and I’m currently reading (and really enjoying) it.

Deaver, a NY Times bestselling author of dozens of thrillers, was tasked with the job of rebooting Bond for the modern day, and I’m pleased to report that he’s pulled it off brilliantly. He presents Bond in his early thirties, a veteran of Afghanistan, and recruited into a new secret organization, independent of MI5 and MI6 — essentially a post-9/11 version of the WWII-era Special Operations Executive (SOE). This neatly circumvents the fact that Bond’s adventures don’t meld well with the increased knowledge we have of how the British intelligence services actually operate, and gives us a fictional (but believable) organization with clear historical precedent that is tasked with “defense of the Realm by any means necessary” — which fits perfectly with Fleming’s original view of Bond as a “blunt instrument” of Her Majesty’s Government.

I’m also listening to a (*gasp!*) bootleg score recording from the recent original Bond videogame from Activision, 007 Blood Stone, which was composed by Richard Jacques — and which includes a brilliant original Bond theme written by Joss Stone and Dave Stewart (yes, of The Eurythmics), which is as good as any that have been done for film. The track, “I’ll Take It All”, will be featured in tomorrow’s Friday Music blog entry, but in the meantime, you can watch the video of the 2-minute title sequence from the video game below, which uses an edited version of the full theme:

I’ll also share with you with the promotional photo that Ms. Stone did for the game…. for reasons which are self-evident:

I have to admit that a Holy Grail of mine, writing-wise, has been the creation of an “American James Bond” — that’s always been something that I’ve pursued, but it has remained a tough nut to crack. Americans seem to like their spies as either ideologically-pure technocrats like Jack Ryan from Tom Clancy’s books, or macho extremist fantasies like Jack Bauer from 24 — neither of which really appeal to me. It’s hard to get the right level of Bondian sophistication in there — generally speaking, Americans don’t really “do” sophistication, or rather, I should say that sophistication is often viewed as suspect (the trappings of “elites”, etc.) — but I think that it’s important as a counter-balance to the required violence.

And, of course, the trick is to avoid making the whole thing just a fan-fiction pastiche.

So, yeah — still beating my brain against that goal, as I have done for years. Just haven’t had my “aha!” moment yet.

Hey, Kids, Look: Content!

I have been piss-poor about regular updates on this thing. Spending all of my “hey, lookit this nifty thing” energy over on Twitter.

But this month, we launched the FAR WEST website, and have been updating that sucker with daily content. So I figured if I could do it there, I could do it here. (The fact that when I set up Google Analytics for the FAR WEST site I also set it up for this blog and saw the god-awful traffic stats has absolutely nothing to do with it. No sir.)

Yesterday was my 42nd Birthday. Yeesh. Looking back, I find my earliest blog entry about my birthday was this one from my 34th, back in 2003. Where, I note, the first thing I talk about is that I haven’t been updating the blog much. So it’s good that I’ve maintained a certain level of consistency.


Loot-wise, the birthday was pretty good. Highlights include a copy of L.A. Noire for the PS3 that I need to carve out some time for ASAP; the brand-spanking new reboot novel for James Bond, Carte Blanche by Jeffrey Deaver; and one of the nifty items scene over on the right: A ball microphone with a shockmount ring. So perhaps some podcasting and other audio productions are in my future….

Laura says that getting the mike for me felt a bit like buying a housewife a vacuum cleaner as a present: “Here, honey: DO MORE WORK.”

In a nearly-perfect segué, speaking of microphones/audio productions, James Bond and Noir — we have the following bit of incredible brilliance: The BBC archive of a 1958 radio broadcast of a conversation between Ian Fleming and Raymond Chandler, where they talk about crime, writing thrillers, and more. Absolute gold, especially for writers, and well worth the 24 minute listen.

Last week on Twitter, I said that I wanted to blog more, and asked folks what they’d like to see from me. Got a few responses there, but I figured I’d repeat the question for the commenters here. Fire away, and I’ll see you again tomorrow.

The DC Revolution (and my pitches)

The internet is abuzz with the announcement that DC Comics will be rebooting in September, relaunching 50+ titles with new #1 issues, including what they describe as a “major continuity reboot”, intended to modernize the iconic characters more in keeping with the times.

Personally, when I heard this, I hoped that it would address the problem of ‘whitewashing’ in comics. It would be nice to see DC’s superhero line actually reflect the US population a bit more accurately.

Looks like they’re kinda-sorta-halfway doing that, given the preview that appeared on the DC blog today. It looks like they’re tinkering with also-rans and “promoting” existing B-list heroes in an effort to increase diversity. Cyborg will be a full member of the Justice League, Firestorm will be an amalgam of two guys — one of whom is African-American, and Mister Terrific (who?) will get his own book.

I would’ve liked to see ballsier moves — especially given the biggest and ballsiest (and largely ignored, in favor of the nerdrage-inciting renumbering) part of the whole thing, which is that their entire line is going to digital day-and-date distribution. For those of you unaware of what that entails: it means that digital copies of the issues will be available for sale online (via services like Comixology and the comixology-powered official DC Comics iPad app) on the exact same day that they’re on sale in stores in print.

This is massive, because currently, digital comics are released months later — and often digital comics are just reprints of years-old issues. It’s a situation that Mark Waid described at NYCC in October as “the industry being held hostage by less than 2000 retailers.” Comics retailers (and there are estimated to be less than 2000 dedicated comics stores in the US) HATE day-and-date digital, and have all but threatened any publisher who does it with boycott, etc.

Well, the problem is that the industry is in such bad shape (see my entry about attending the ICV2 Conference at NYCC for more details) that pissing off those 2000 stores doesn’t seem as drastic any more — not when the opportunity to attract more customers than you’re potentially losing has become a very real possibility. That’s the potentially industry-changing (saving?) thing that’s happening here, but of course, all anyone can talk about is the fact that everything is being renumbered.

*Sigh*

Ah well, digital revolutions aside, I am a comics fan, and not above a bit of fanwankery. Judd over at The Githyanki Diaspora has posted his imaginary pitches for new DC #1s. I thought this was a fun idea (and his Detective Comics concept is particularly brilliant), so I figured I’d give it a shot — and not entirely for fun, either: If any of the folks I know who have connections at DC like anything they see here, please feel free to point The Right People ™ in the direction of this post….

My #1 Pitches:

Doctor Fate A complete reboot of the character, going for a more “Big Trouble in Little China”/”Woochi The Demonslayer” vibe. The new Doctor Fate is an immortal Taoist sorcerer, operating out of San Francisco, and tuned in to the hidden world of monsters, magicians and warriors that still exists to this day.

The Mighty Isis: Egyptian student studying in Metropolis is transformed by the Amulet of Isis into the newest incarnation of the superhero — less connection to the Shazam Family, more concentration on topicality: i.e. doing for women’s issues, the Middle East, the War on Terror, etc. what 70s Green Arrow/Green Lantern did for racism, street crime, poverty and drugs.

The Omega Men: The opportunity to explore the non-Lantern-Corps side of the DC science-fiction universe. Take Adam Strange, Vril Dox from L.E.G.I.O.N., the remnants of the Omega Men, and any other classic (or new) space heroes and throw them together into a rag-tag bunch who travel the space lanes, facing down cosmic threats. There’s more to universe than a rainbow-array of ring bearers.

Challengers of the Unknown: Take Rip Hunter and a collection of new non-superheroic characters and have them face off against the strange science, weird plots and other spooky-do’s. A character-driven, ensemble workplace drama, except the workplace is a super-science team which faces everything from temporal rifts to cross-dimensional invasions.

I could go on for days. I’d be thrilled to write any of them. What about you?