Us vs Them

As I attended NYCC last weekend, I was struck by the massive difference between the comics audience and the tabletop gaming audience. There’s a lot of cross-over in various geek-niche interest groups, but the contrast between the comics fans and professionals that I spoke with, and the gamers and professionals at GenCon in August was profound.

Both industries are having a hard time of it in this economy, and have been on a decline for a long time. Both hobbies are losing fans to other pursuits at a fairly regular rate, and not really experiencing an influx of new blood from any source. Both have fans prone to orthodoxy and “nerdrage”, driven to expressions of negativity on the internet with unfortunate regularity. Yet the comics crowd seemed far more energized, positive and hopeful than the gamers — even at the relatively positive GenCon.
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Digital Comics

This past weekend I went back home to NYC. Aside from a much-needed refill of city life, the trip was an opportunity to see family and friends, and to attend the NY Comic Con. I was attending the show as a publishing professional — using the opportunity to scout artists for Adamant’s various transmedia efforts — and had a great time. The best part of the trip, from a business standpoint, was ICV2’s Conference on Comics and Digital, held the day before the show opened, which featured a white paper presentation on the state of the comics industry presented by Milton Griepp, followed by three breakout panel discussions with industry figures representing retail, creative and publishing.
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Tour de Bond: Dr. No (1958)

A slight change in schedule for this week — I was away on a business trip to the NYCC. I’ve realized that missing the usual upload day results in a week’s delay, and that sort of delay is contributing to my “blogfade” — I’m not writing on this thing as much as I want to be. So, I’ve decided that I’m going to make a shift to posting daily content– and what better way to begin than with the latest installment of the Tour de Bond, whether it’s Monday or not.

I love this week’s novel. Not only is it part of what I consider the best stretch of quality in the series (for those wondering, that would be the run from 1957 through 1961– From Russia With Love through Thunderball), but it’s Fleming’s tribute to Sax Rhomer’s Fu Manchu novels (my love of which I mentioned in the entry on Live and Let Die). Above and beyond that, though, it represents Fleming’s embrace of the series– in many ways marking the turning point from the occasional novel that he’d write during his stays in Jamaica, into a full-fledged series that became his focus.
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