World Cup

The 2010 World Cup starts this Friday, and lasts until July 11th.

Imagine if “Super Sunday” lasted for an entire month, and you’ve got an idea of what this means to fans of the world’s game. The last World Cup (2006) drew an average of 93 million viewers per match — every match, for a month — with an estimated 715 million watching the Final.

So, to say that I’m going to be a bit distracted in the coming month is a bit of an understatement.

This year, the World Cup will have far greater reach than ever before, even here in the United States. This blog post lists all of the sources for following matches: TV (ESPN, ESPN2, ABC, Univision), Online (free and legal streaming via ESPN3.com and Univision Online), Mobile devices, and more. This doesn’t even talk about the countless thousands of unofficial blogs, podcasts and streaming sites.

ESPN also has a great dedicated website, aggregating news, scores, video and more (including a bracket predictor that I just filled out for the fun of it).

(….and for another smile, Google “World Cup” and scroll down to the bottom of the page.)

One month, 64 games. Bring it on.

Friday Music

Not a lot this week, due to the usual busybusy.

The World Cup starts next week, and I haven’t really heard any Cup anthems yet. I have, however, found a track that already has come to represent the cup in my head. I discovered this past week that one of my favorite artists, Johnny Clegg, released an album in 2007 that I had completely missed. So, I picked it up, and discovered this track — which he had written for the South African rugby team. It applies just as well to the Cup, and I’ve been playing it incessantly. “Jongosi” literally means “strong young ox”, and is an idiom for “young warriors” — and now most often applied to athletes. The refrain: Hayi Wemajongosi (Hey, young warriors) Azovimba phambili (They will overcome all challenges ahead). Johnny Clegg – “Jongosi.”

One of my favorite 80s tracks, reimagined by the songwriter. I actually like this acoustic version better than the original — this is taken from Men At Work frontman Colin Hay’s solo album, Man @ Work — Colin Hay – “Overkill (acoustic version).”

After being introduced to Kula Shaker, the English neo-psychedelia band by their single “Tattva”, I went out and grabbed their debut album, “K” in 1996. This track from the album quickly became one of my favorites: Kula Shaker- “Govinda.”

Lastly, a kick-ass mash-up, combining three seminal sounds — the drum loop from Run DMC’s “Walk This Way”, the guitar riff from Led Zeppelin’s “Whole Lotta Love”, and vocals by James Brown: Fissunix – “Whole Sex Lotta Machine – The Drumloop, The Guitar Riff, The SuperBad.”

Sorry for the short one this week. More later.

Interesting Times

I realize that I haven’t been posting nearly as often as I’d like to — things have been quite busy on this end.

The big event was getting ICONS prepped for release, but as of today the PDF is available, and the book is at the printers for a mid-June delivery to game stores worldwide.

In addition to ICONS, I’ve been working on a backlog of releases for our MARS, THRILLING TALES and PATHFINDER lines. Lots of RPG work, especially for a guy who’s decided to transition to a wider focus on transmedia, but hey — the RPG stuff pays the bills, ya know?

In the realm of transmedia, I am doing work, but it’s all behind-the-scenes right now. I’ve decided to limit Adamant initially to development on two properties (which may be one project too many, realistically, but hey — I like to juggle a lot of stuff. Keeps me engaged), and development work on both is underway.

The first is one that should be familiar to long-time readers: my Western/Wuxia/Steampunk mash-up FAR WEST — by virtue of the fact that it began as an RPG project a couple of years ago, it’s further along than the other project, and I expect that I’ll be launching the official site this summer.

The other project, which I haven’t mentioned much outside of a brief comment in our artist solicitations about looking for an artist who can handle a mix of “Good Girl” and “Metal Hurlant/Incal” style artwork, is a far-flung space opera property which is called Vesper Nova. But that’s all I’m going to say about that for now. :)

The hard part about working in this new digital entertainment frontier is that every is changing so quickly — I mean, literally on a week to week basis. For example: Today, Adobe announced their Digital Publishing Platform, a new tool set for producing iPad-ready content which they’ll apparently be rolling out to CS5 users via Adobe Lab later this summer. They cite the new Wired magazine iPad app as something which was created with these tools. Incredible stuff, and absolutely in the venue of what I’m looking to do with both Far West and Vesper Nova. However, the tools aren’t quite there yet. They’re coming in a beta format, via Adobe Lab — and even then not until some nebulously-defined time “this summer.”

The problem here is that things like this are happening on a weekly basis — somebody announces a new tool, a new platform, a new program or outlet that can dramatically effect any plans you might have. You have to be able to roll with changes that are happening in dizzying succession. It’s very tempting to slow down, to put things on hold while waiting for things to settle out more — but that’s the thing: they aren’t settling — not for a long while. So you’ve got to fight off this sense of paralysis to avoid falling into a never-ending holding pattern.

It’s actually pretty exciting — the feeling of being there at the beginning, when the rules haven’t been codified, when anything goes….