Insurgent Creative – Required Reading: “Let’s Get Visible”

Let’s-Get-Visible-and-Other-Stories-by-David-GaughranFirst things first: Let’s Get Visible: How to Get Noticed And Sell More Books is not something you should jump in and read first thing. It’s an advanced guide, a companion volume to David Gaughran’s 2011 release, Let’s Get Digital: How To Self-Publish, And Why You Should. If you haven’t read Digital, you absolutely should — it is an absolutely critical tome for anybody looking to do digital publishing, whether running a small publishing operation, or putting our your own stuff — and it’s on sale right now for 99 cents as a tie-in promotion to this release, so you should go grab it immediately. I’ll wait.

Let’s Get Visible is the sequel — a more advanced guide which tackles the most critical issue facing independently-published content: How to get more people to see your work, to discover it among the myriad other options available, and hopefully, how to get them to buy it. It assumes that you already know the nuts and bolts of how of digital publishing — producing professional-quality material, well-designed, attractive, and making it available for sale. The focus of this volume is on increasing the visibility (and therefore the sales) of your books once they’re ready to go.

Insurgent CreativeThere are, as a rough estimate, eleventy-bajillion “CRACK AMAZON’S SECRETS AND SELL TONS!!!” self-publishing cash-ins available for purchase. This is not one of them. This is a sober, honest breakdown of tactics and strategies for increasing the visibility of your book, whether it’s been previously published, or if you’re launching from scratch. It concentrates largely on methods to improve your books visibility on Amazon — which makes sense, since Amazon represents an overwhelmingly large percentage of the digital market. Your best efforts focused there will have the most direct impact on your overall sales. Gaughran also covers sites like Barnes & Noble, Apple, Kobo and Smashwords, but spends most of the time giving you information that will do you the most good.

Gaughran presents the current best guess as to workings of Amazon’s algorithms for its Recommendation Engine, it’s sales rankings, it’s top lists. He sources this information with links to blogs and articles where the detective work has been done by himself and others, with the up-front caveat that Amazon does change these formulae, so the information that is presented in this book is only current as of May 2013. By providing the links, however, he insures that the reader can keep up to date on any further developments. He is honest about the fact that since the algorithms are proprietary, nobody but Amazon knows for sure how they work — but he clearly spells out the evidence for the methods he presents. This isn’t get-rich-quick one-true-wayism, but rather a evidentiary examination of logical conclusions, with the caveat that the information will change — but that those changes will be easier to adapt to once you have a basic grasp of how the process has worked historically. This is a breath of fresh air for indie publishing, which too often draws cult-of-personality gurus, heavy with the stink of hucksterism.

From examination of how Amazon recommends books to customers, Gaughran presents the logical methods for presenting your work so as best to take advantage of those suppositions, some of which is common sense, but much of which presents a new way to think about things (for example, a counter-intuitive method of launching a book which goes against the instincts I have developed over 20 years of working in publishing — but which makes perfect sense given the evidence provided about how the various recommendations and lists work).

I could go on — but honestly, you are far better served by reading the book than in reading a recommendation for it. Make no mistake, that is what I am unreservedly offering here: a recommendation, in the strongest possible terms. Despite my experience, this book gave me valuable advice, gave me new information that I hadn’t considered, and an entirely new way of thinking about promotion. Both books (linked below) should be an essential part of an Insurgent Creative’s tool kit — and I’d recommend adding David Gaughran’s blog to your regular reading list as well.
 



My New-Old Gig

C7_announcement
 

We just made the official announcement today: I’m taking a gig with Cubicle 7 Entertainment as the Line Developer for the tabletop games line of my creation Far West. So I’ll be continuing to helm FAR WEST, but will be doing it with an amazing amount of support!

Cubicle 7 will be the exclusive publisher of tabletop games for the setting, and will distribute them world-wide. I’ll shepherd the line, make sure it continues to mesh with all other FAR WEST releases (fiction, comics, web series, what-have-you) — which will still be released by my own company, Adamant Entertainment.

I’m thrilled about this. The delays in production of the FAR WEST Adventure Game core rulebook were due largely to the project becoming much larger than could readily be handled without assistance, and partnering with one of the top games publishers in the world will mean that I’ve got a great bunch of creative people at my back, as well as the infrastructure in place to handle things like distribution, warehousing, etc. — freeing me up to concentrate on line development, direction and creation.

Cubicle 7 has committed to a robust release schedule of support as well — so expect announcements soon about what we’ll have coming for the line in the first year.
 
 

Friday Music

4e6c6fb2Here we go again, another entry in the relaunch of the Friday Music series… hopefully at some point, I can clear enough late work off my desk to be able to add other content to this blog as well! :)

First up, as I’m sure a lot of you know, Robot-helmeted French electronic duo Daft Punk have a new album coming out soon, called Random Access Memories. The only thing they’ve released so far is a 4-minute Radio Edit of a 7-minute-plus album track featuring Pharell Williams and Chic frontman/bassist Nile Rodgers. They’ve moved away from the electronic synthscapes of their work on the Tron:Legacy soundtrack, and even away from the Vocoder-based disco sound of earlier releases (like “Harder, Better, Faster, Stronger”), into a smooth sound that sounds like a cut from a late-70s Michael Jackson album. Daft Punk – “Get Lucky (Radio Edit)”

Another sneak look at an upcoming release: Alt-RnB vocalist Kelis (she whose Milkshake Brings All The Boys To The Yard, and who Hates You So Much Right Now, ARRRGGHHH!) is about to release a new album called FOOD, and the advance single, a catchy electro-influenced track with some autobiographical lyrics, also features a gastronomically-influenced title. Kelis – “Jerk Ribs.”

Jumping back in time, we land in the 80s, thanks to Jesse Slicer, a friend of mine who mentioned this earlier today on Twitter, and set my mind on a loop. A lot of folks enjoy the cheesiness that is “The Warrior” (“Shooting at the walls of heartache, bang-bang.”), but I’ve always preferred this — I love the synth riff that runs through it, and the synth solo. I miss solos in general, actually. Scandal – “Goodbye To You.”

I’ve always had a soft spot for songs like that, with a synth through-line. This one, from a few years earlier (right around 79/80) from a UK-based Prog-rock group making its transformation into a pop act, used an arpeggiated synth line almost like a toccata, which I thought was really kind of cool at the time (and I guess I still do): The Alan Parsons Project – “Games People Play.”

The concert for Hurricane Sandy saw Paul McCartney team up with the surviving members of Nirvana, performing a new track which they devised while jamming in the studio. The studio version of the track is appearing on the soundtrack to Dave Grohl’s indie film Sound City, a history of the eponymous L.A. recording studio. Paul McCartney, Dave Grohl, Krist Novoselic and Pat Smear – “Cut Me Some Slack.”

This is a very Florence-and-the-Machine sounding track from the trio being touted as the Next Big Thing in the UK music blogs. The Guardian referred to them as “trip hop given a bit of 2013 spit-and-polish”, and that’s not a bad description. London Grammar – “Wasting My Young Years.”

We’ll close out with another 80s track, because I’m a nostalgic fortysomething. This is, hands down, my favorite track from New Order (and that’s saying something, because I love so much of what that group did). New Order – “Age of Consent.”

There ya go. Enjoy, and come back next week.