Re-Owning “Geek.”



Recently, Felicia Day posted a video outlining her plans for a second series of shows for her Youtube channel, Geek & Sundry. If you haven’t already seen it, take a few minutes to watch, above.

I’ve been mulling over this for a few days now, because the whole “we need to re-own the word Geek” part of it really kinda rubs me the wrong way. I hemmed and hawed about unpacking that in any really public way, knowing that this would have me seen as publicly being “against” Felicia Day, a monolithically popular figure in online geek circles. But I found that I was genuinely curious if it was just me, or if other people felt the same.

The whole angle strikes me as very similar, ironically, to the whole “fake geek girl” outrage. The idea that there are “Real” geeks — by definition — who need to somehow “take back” the term, away from the non-genuine users, who only use it as a marketing label; a category by which consumers are classified.

I’m sorry — but Geeks aren’t Rebels. Some are, sure. But despite the protestations in the video, Geeks have pretty much *always* been defined by their entertainment fandom — and it was their love of those things that made some of them outcasts, as the “popular kids” ostracized them. What came first, the chicken or the egg? The nerdy love of comic books and Star Trek, or the outsider status that came with that love? But to claim that it is the Outsider, the Rebel, etc. that marks the “true” geek is uncomfortably close to the cries of the guys who are bitching that attractive girls can’t been geeks because they didn’t “suffer for it.”

Another thing: the idea that “Geek” is being commodified by some outsider group (especially ironic coming from somebody trying to market videos to the same audience) is a massive ball of hipster bullshit. Geek is mainstream because geeks are now in positions where they are creating and decision-making in entertainment — they’re producing stuff that interests them, which is attracting the like-minded. Combine that with the aggregating and communication ability of the internet, and it means that what might be a small subculture in a particular school or town is suddenly and inescapably seen as a fairly large national (hell, global) interest group.

…and let us not forget that geek stuff has always been popular, sometimes massively so (Star Wars, anyone?). The main difference is now people are comfortable with identifying with the label. (Everybody loved Star Wars in 77/78, but few would’ve called themselves “geeks.”)

Geek is about loving stuff, and sharing those interests with others. It doesn’t matter if you came to it early, suffered through bullying because of it, or just walked into it yesterday because you played “Bioshock Infinite” and really dug it. It’s all good, and the tribalist crap of “re-owning” the word, of attempting to define what makes a “real” geek, is really disappointing, especially coming from a high-profile person whom many view as an ambassador of the culture.

I welcome your thoughts in the comments below.

 
 

Modesty Blaise: BBC Radio4 Adaptation

ModestyI’m a huge fan of the Modesty Blaise novels by Peter O’Donnell. Often described as the “female James Bond”, Modesty Blaise was created for a newspaper comic strip that ran from 1963-2001, and featured in a series of novels from 1965 to 1996. The books were my introduction, and I love them nearly as much as Ian Fleming’s Bond novels.

I was thrilled to discover that the BBC’s Radio 4 is doing an adaptation of the fourth Modesty Blaise novel, A Taste For Death, in 15-minute installments airing today through Friday, and available worldwide via their iPlayer online. The actress playing Modesty is Daphne Alexander (pictured above), and is perfect for the role.

You can watch a video trailer for the adaptation here. (Not going to wrestle with embedding Flash in WordPress — sorry.)

There’s also a promotional video of Daphne Alexander getting “The Modesty Blaise Look” for a photo shoot here.

The first episode of A Taste For Death can be heard here, with new episodes coming every day this week.

Tour De Bond: The Music of James Bond

Just finished reading The Music of James Bond by Jon Burlingame, which is a film-by-film exploration of the themes and scores of all of the Bond film up until Quantum of Solace. For somebody like me, both a music geek and a Bond obsessive, this is manna from heaven. Burlingame gives an analysis of each film’s score, track by track, but also the behind-the-scenes stories of the music’s creation, including false starts and lost themes along the way.

We hear about the original theme to Moonraker, with lyrics by Paul Williams (The Muppet Movie, etc.), which was going to be sung by Frank Sinatra. The For Your Eyes Only theme sung by Blondie (and eventually included on their 1982 album, The Hunter). The fact that Annie Lennox and Dave Stewart were supposed to do a theme for License To Kill, but that during the screening, Lennox was put off by the shark attack scene and backed out.

One of the coolest bits of information, for me, was the fact that there was an entire verse cut out of Diamonds Are Forever during the recording session. Diamonds is my favorite of the Shirley Bassey-sung Bond themes — although the film is, frankly, pretty bad, I love the song even more than Goldfinger:

http://www.youtube.com/watch?v=80A6MtPwj-Q

The book reveals the lyrics to the missing verse:

Diamonds are forever
I can taste the satisfaction
Flawless physical attraction
Bitter cold, icy fresh, till they rest on the flesh they crave for

The book also tells the story that David Arnold was chosen as the composer for the past five films largely due to his album of reworked Bond themes, Shaken and Stirred, which showed the producers that he could mix traditional Barry-style arrangements with more modern electronic techniques.

I love that album — it’s out of print, but if you can find it, grab it. My favorite track, a mash-up of the theme from On Her Majesty’s Secret Service and the Space Capsule music from You Only Live Twice, done with The Propellerheads:

With Skyfall opening in the US next week, and the 50th anniversary of the films, it’s a great time to be a Bond fan.