Obama Responds

This is more like it.

Earlier this week, at a fundraiser in San Francisco, Obama had the temerity to say:

“People don’t vote on economic issues because they don’t expect anybody is going to help them,” […]”So people end up voting on issues like guns and are they going to have the right to bear arms. They vote on issues like gay marriage. They take refuge in their faith and their community, and their family, and the things they can count on. But they don’t believe they can count on Washington.”

[…] “You go into these small towns in Pennsylvania and, like a lot of small towns in the Midwest, the jobs have been gone now for 25 years. … And it’s not surprising then they get bitter, they cling to guns or religion or antipathy to people who aren’t like them or anti-immigrant sentiment or anti-trade sentiment as a way to explain their frustrations.”

…and of course, McCain, Clinton and the media have jumped all over this. Obama is “condescending.” Obama is “elitist.” Obama is “out of touch.” This, according to the rabid, barking media, is the smoking gun moment that brings down his campaign.

With the old style of politician — maybe that’s true. John Kerry would’ve spend the next week letting everyone chatter about it, before then going out and spending the week after that giving stumbling apologies for his “gaffe.”

Obama? Brings it up immediately — stands by what he said, and goes after his critics:

YES WE CAN.

The Shadow Knows

If you are a Shadow fan, or even have a slight interest in pulp at all, you should check out The Shadow Knows, a ten-chapter, two-hour fan-produced documentary, detailing the history of the Master of Darkness.

At the site linked above (“Dial B for Burbank”), you can view each of the ten chapters in Quicktime format, or download the entire documentary as a single file — which I did yesterday, burned to DVD and watched last night. The documentary is excellent — in this case, “fan-produced” really only means “didn’t get licensing approval” — it’s very professionally done.

Friday Music

…and we’re back!

Here we go:

If you’ve never seen the 2001 film version of Josie and the Pussycats, it’s worth a rental. Surprisingly clever, funny — simultaneously mocking teen trends without “ironically” mocking the original source material — with a great cast (including some great villain work from Alan Cumming and Parker Posey) — and the music is surprisingly good as well. My favorite earworm from the soundtrack: Josie and the Pussycats – “Pretend To Be Nice.”

Julian Lennon turned 45 this week. Valotte was one of my favorite albums of the 1980s. He’s apparently working on his first new album in over a decade, and has posted early mix versions on his MySpace page. This, in my opinion, is the best of the lot. I’ll be interested in hearing more. Julian Lennon – “Everything Changes (Rough Mix).”

Speaking of the 80s, here’s a new song by a group whose members were *born* in that decade — but who have managed to come up with a sound that feels like a 21st-century version of a John Hughes movie soundtrack. M83 – “Kim & Jessie.”

I first heard this song performed at the Brit awards in February, and it’s now the worldwide #1 single (if you aggregate sales charts from every country that keeps them). It’s a nicely produced bit of R&B pop, she’s got a great voice — and I wonder what it says about the mood of the world when the number one song has the following refrain: “You cut me open and I keep bleeding love.” Leona Lewis – “Bleeding Love.”

Men Without Pants — no longer just a yearly theme party at the SCA’s Pennsic War! The name has been taken by a side project of Dan the Automator and drummer Russell Simmins (from the John Spencer Blues Explosion). The project features a number of guest stars — for example, this track, which has Karen O from the Yeah Yeah Yeahs as a backing vocalist: Men Without Pants – “And The Girls Go.”

…and lastly, some move-yer-ass electronica from the waning years of the 20th Century: The Chemical Brothers – “Out of Control.”

Enjoy.