Author: Gareth

Transmedia developer — writer, consultant, game designer, graphic artist, and publisher. A sharp tongue, a sharp blade, and on a good day, a sharp mind.
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Re-Election

Posting this mostly for journaling purposes — I was looking at the 2008 and 2004 elections from my heavier-blogging days, and realized that I really should have something here on 2012. Rather than go through the time and trouble of saying things that other people have already said, or that I said myself on social media last night, I decided that I’d use the opportunity to instead just copy my twitter posts from election night, as it happened (tweets from others are, obviously, things that I re-tweeted):

https://twitter.com/gmskarka/status/265983077052993536

https://twitter.com/bobbyfinger/status/266001246715015169

https://twitter.com/dizzyjosh/status/266008121619644417

https://twitter.com/GailSimone/status/266022075335053312

https://twitter.com/Tepper/status/266027719085658113

https://twitter.com/chrisfholm/status/266040612967555074

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Tour De Bond: The Music of James Bond

Just finished reading The Music of James Bond by Jon Burlingame, which is a film-by-film exploration of the themes and scores of all of the Bond film up until Quantum of Solace. For somebody like me, both a music geek and a Bond obsessive, this is manna from heaven. Burlingame gives an analysis of each film’s score, track by track, but also the behind-the-scenes stories of the music’s creation, including false starts and lost themes along the way.

We hear about the original theme to Moonraker, with lyrics by Paul Williams (The Muppet Movie, etc.), which was going to be sung by Frank Sinatra. The For Your Eyes Only theme sung by Blondie (and eventually included on their 1982 album, The Hunter). The fact that Annie Lennox and Dave Stewart were supposed to do a theme for License To Kill, but that during the screening, Lennox was put off by the shark attack scene and backed out.

One of the coolest bits of information, for me, was the fact that there was an entire verse cut out of Diamonds Are Forever during the recording session. Diamonds is my favorite of the Shirley Bassey-sung Bond themes — although the film is, frankly, pretty bad, I love the song even more than Goldfinger:

http://www.youtube.com/watch?v=80A6MtPwj-Q

The book reveals the lyrics to the missing verse:

Diamonds are forever
I can taste the satisfaction
Flawless physical attraction
Bitter cold, icy fresh, till they rest on the flesh they crave for

The book also tells the story that David Arnold was chosen as the composer for the past five films largely due to his album of reworked Bond themes, Shaken and Stirred, which showed the producers that he could mix traditional Barry-style arrangements with more modern electronic techniques.

I love that album — it’s out of print, but if you can find it, grab it. My favorite track, a mash-up of the theme from On Her Majesty’s Secret Service and the Space Capsule music from You Only Live Twice, done with The Propellerheads:

With Skyfall opening in the US next week, and the 50th anniversary of the films, it’s a great time to be a Bond fan.
 
 

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A New Hope

The entire nerdosphere is buzzing about the big news that came down yesterday: Disney has purchased Lucasfilm from George Lucas for 4.05 Billion Dollars, and will launch new Star Wars films in 2015 with Episode VII. If you’re reading this blog, I suspect that your social media feeds, like mine, are overflowing with commentary about this particular turn of events. I’m sorry to add to the noise, but as someone whose initial viewing of Star Wars in 1977 set me on the path to where I am professionally today, I can’t really let something this big slide by without comment, even if it’s only for my own reference later on in life.

(A brief aside before continuing: The image at left is one that I stumbled upon a while ago, reading coverage of the big Star Wars Celebration convention. I have no idea who the artist is, or where it’s from — but I LOVE it. If you have any info, please leave it in the comments below.)

Edited to Add: Thanks to Peter Mars over on Google+: The art is called Shadows of Tatooine, by Raymond Swanland

Very briefly, to sum up: I think this is a very good thing.

Unpacking that a bit more:

  • Star Wars is Best When Lucas Doesn’t Have Sole Control. The two best films? Star Wars — where he had to work with a team to cut corners and work with what they had, rather than satisfying every creative detail perfectly — and The Empire Strikes Back — where he came up with the story, and other folks wrote and directed. When Lucas has control over every detail? You get the prequels. Watch the “Making Of” extras of Attack of the Clones sometime, and see a CG artist get micromanaged for days over the animation of Yoda’s brow.

    Lucas is going to be a “creative consultant” on this new stuff. In his own words, he’s handing over his story outlines, and that’s pretty much about it. That’s a very good thing.

  • Disney Handles Its Subsidiaries Really Well. Disney owns a bunch of studios, and knows to pretty much leave them alone to do the things they do best. Miramax’s best stuff was released after the Disney acquisition in 1993. Pixar, since acquisition, has released Ratatouille, WALL-E, Up and Brave. Marvel? You might have heard that post-Disney-acquisition, they hired Joss Whedon to write and direct The Avengers, which was pretty damned good.

    So, you’ll forgive me, but the nerdrage and snark about “Disneyfication of Star Wars” and such? Pretty much entirely without merit.

  • Kathleen Kennedy is Fucking Brilliant. The new president of Lucasfilm and the brand manager of Star Wars is the #2 producer of all time in terms of box office, behind only Steven Spielberg. She’s forward-looking and one of Hollywood’s more innovative producers — to quote Jeff Gomez of Starlight Runner:

  • Star Wars will most likely be made by people who grew up loving it. If you think about the average age of screenwriters and directors in Hollywood, and the general vibe of “geek ascendancy” which has been commented upon, as the awkward nerd of the past now find themselves in decision-making positions, it’s going to be first-generation Star Wars fans who will be making the new stuff. Folks from their 30s to 50s, raised on action figures and steeped in the same stuff that we love. Take a look at The Clone Wars cartoon, considered by many to be better than the prequel films — Lucas was producer, but the show is run by supervising director Dave Filoni, a guy born in the early 70s who grew up on Star Wars. Expect to see that sort of dynamic continue.

For the first time in over a decade, I’m hopeful about Star Wars again. I can’t wait to see what’s coming. For that alone, for the chance to remember what it felt like to really love Star Wars and eagerly await the next thing, the purchase of Lucasfilm by Disney is, to me, a great thing.

2015. Episode VII. I’m there.

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