Thoughts on a Bond Day

Today marks the 50th Anniversary of the release of the first James Bond film, Dr. No (which I had the joy of seeing on the big screen for the first time last month). It’s been declared “Global James Bond Day”, a celebration of all things 007. So, y’know, absolute catnip for a guy like me.

Yesterday, the theme for the new film, Skyfall was released, performed by Adele. It hearkens back to the classic Bond ballads, like You Only Live Twice, Moonraker, The Spy Who Loved Me, and For Your Eyes Only. It’s funny — I’ve seen criticism online (go figure, it’s the internet) that it isn’t “hard-hitting” or “a call to action” — which makes me wonder if those making such charges are familiar with the tracks I mentioned.

Here’s the debut “lyrics video” for the song:

 
The release of the theme, the forthcoming release of the score (due at the end of October) and the film itself, plus all of the associated 50th anniversary hoopla (books, etc.) have definitely put me in a very Bond frame of mind.

Over on Facebook and Google+ I posted the following image:

That’s the front and back cover art to the James Bond 007 roleplaying game, published in the early 80s by Victory Games. That was the game that made me want to become a game designer. Before it, I had never seen a game system that emulated a genre — systems were, in my meagre experience of the time, mathematical models of action, and that’s it.

But James Bond 007, designed by Gerry Klug, showed me that you could create systems that helped to bring across the feel of a thing — the chase rules, for example, bring the tension and rising stakes of a chase directly to the players through the rules, not just the results. It was an epiphany. I’ve never had the opportunity to meet Mr. Klug — he’s long since left tabletop gaming — but I’ll take this opportunity to publicly thank him.

In the mid-90s, I ran a long-term campaign, one-on-one with my friend John Phythyon, where he played Richard Deming, 001. We dove into it– a new “film” every few weeks, complete with all NPCs described in terms of the actor cast in the role (Deming himself was initially portrayed by a pre-Bond Pierce Brosnan, before Adrian Paul stepped into the role)…

Hey, I said we dove into it.

There were movie posters, even soundtracks — John would compose and record a theme tune, an action piece and a “sneaking around/contemplative” piece for each “film”, working off the titles I’d give him (at the end of the previous adventure, of course — “Richard Deming will return in…”). We started to have friends interested in just watching us play, and then they’d start coming in as guest stars, playing recurring characters like Deming’s CIA Liaison, etc.

It was, hands-down, the best roleplaying game experience of my life. Yet to be topped.

I’m very pleased to hear that Joseph Browning of Expeditious Retreat Press is working on a “retro-clone” of the Bond game, under the title CLASSIFIED. Here’s hoping for a robust release schedule filled with adventures. I may have to dive back in…

 
 

Writing to Music: New Recommendations

I write to music.

When I’m working on a particular project, I create playlists which are thematically appropriate to the project in question, and those are my accompaniment as I write. For example, my Far West writing playlist currently features nearly 800 tracks — enough to play for a day and a half without repeats.

Perhaps that’s a bit excessive. But it’s how I work.

I know of a number of other writers who work to music as well, and so I figured that I’d occasionally blog about recent acquisitions suitable for this task, that I’d like to recommend.

First up, I was pleased as hell to see that they’ve finally decided to release a soundtrack album for the cancelled AMC television series Rubicon. The show started strongly — a perfect tonal flashback to the paranoid conspiracy-espionage tales of the 1970s, but the wheels completely came off the tracks. I’ve never seen a show experience such a complete case of dramatic collapse, and it was a real shame, since the start was so promising. One of the best things about the show was the score, by Peter Nashel.

Here’s the original title sequence (unfortunately, embed-disabled, so click here).

Another AMC series has provided a soundtrack that has been added to my Far West playlist — the score to Hell on Wheels by Kevin Kiner and Gustavo Santaolalla. The show is no Deadwood, but it’s a solid western, and has improved over its second season. The music is always a high point — I’m also hoping that they choose to release a soundtrack featuring the non-score music used in the show, which is often excellent (my Far West playlist has a few tracks which I tracked down based entirely on my introduction to them through the show).
Here’s an extended cut of the main theme:

http://www.youtube.com/watch?v=zPlIXgKI8ew

Another entry for the Far West playlist is the score for a much-awaited kung-fu fantasy being directed by RZA (Wu-Tang Clan member, crafter of soundtracks for Ghost Dog and Afro Samurai, and fellow asian-film afficianado). The Man With the Iron Fists will also have a hip-hop-heavy soundtrack (of the “music from and inspired by” variety), but they’ve just released the actual film score, composed by RZA and Howard Drossin, featuring traditional instrumentation, occasionally mixed with sampling of everything from kung fu movie music to classic Wu-Tang tracks. A sampler of the entire score can be heard here:

So what about you? What do you listen to as you write? Post your recommendations below.
 
 

Tour De Bond Revisited: 007 Reloaded

Long-time readers will recall that in 2010, I did a series of entries on this blog called the Tour de Bond, where I examined each of Ian Fleming’s James Bond Novels in publication order. I thought I’d give a brief return to that series today, since AudioGo, the home of BBC Audiobooks, has a new series of James Bond audios under the title “007 Reloaded.” The unabridged audiobooks, available for download or on CD, are read by some truly stellar performers. Samples of each are available below.

Unfortunately, for fans outside of the UK, these samples will have to suffice, because AudioGo has only made these available for purchase in the UK — even the downloadable versions are region-locked, which is frankly ridiculous in this day and age. Rather than making it simple and legal for non-UK fans to give them money, they’ve instead guaranteed that these audiobooks will be ripped and torrented and distributed for free worldwide.

…and that’s a shame. We want to give you our money, AudioGo. Let us do it.
 
 


Casino Royale, read by Downton Abbey‘s Dan Stevens:
http://www.youtube.com/watch?v=ya9PL5Bd9Js&feature=plcp
 
 
Live and Let Die read by Rory Kinnear:
http://www.youtube.com/watch?v=THqbHlfmLmQ&feature=plcp
 
 
Moonraker read by Bill Nighy:
http://www.youtube.com/watch?v=RhwLjnFJ3N8&feature=plcp
 
 
Diamonds are Forever read by Homeland star Damian Lewis:
http://www.youtube.com/watch?v=MZms2KBOgwU&feature=plcp
 
 
From Russia With Love read by Toby Stephens (the villain from Die Another Day, who also portrays Bond in the BBC Radio adaptations)
http://www.youtube.com/watch?v=47th1NnzR84&feature=plcp
 
 
Doctor No read by Hugh Quarshie (probably best known here in the US as Captain Panaka in The Phantom Menace)
http://www.youtube.com/watch?v=wK9aGMtNzYA&feature=plcp
 
 
Goldfinger, read by Downton Abbey‘s Hugh Bonneville:
http://www.youtube.com/watch?v=sDLxub9NhT0&feature=plcp
 
 
Thunderball read by Lucius Malfoy himself, Jason Isaacs:
http://www.youtube.com/watch?v=76P3ZpN8Jqc&feature=plcp
 
 
The Spy Who Loved Me read by Rosamund Pike (Miranda Frost in Die Another Day):
http://www.youtube.com/watch?v=dOx70kugIJs&feature=plcp
 
 
On Her Majesty’s Secret Service ready by David Tennant:
http://www.youtube.com/watch?v=NJIy2BXF1KM&feature=plcp
 
 
You Only Live Twice read by Martin Jarvis
http://www.youtube.com/watch?v=_2Jx5Wl03lQ&feature=plcp
 
The Man With the Golden Gun read by Kenneth Branagh:
http://www.youtube.com/watch?v=cyS6NQ2LBL0&feature=plcp