Fourth-Sensitive

“May the Fourth Be With You.”

Yeah, you’ve all heard it already. A pun that had been kicking around since at least 1979 began to solidify over the past 5 years or so into a Thing in the geek community. A celebration of Star Wars.

And yeah, I know — a celebration of a brand? A piece of pop-culture? Seems shallow (at best), or childish (at worst).

But here’s the thing. Over the past few years — brought about in no small part by middle-aged nostalgia coupled with Disney’s relaunch of the property — I’ve come to realize exactly how much Star Wars shaped me as a person. That’s not a childish or shallow thing — that’s a profound effect on my formative years.

Stories are important. Myths are stories. Religion, when you boil it down, is a story. George Lucas was once quoted in an interview, saying that he created Star Wars for a “generation that was growing up without fairy tales.” My generation (children when the first film was released, entering our teen years when the final film of the original trilogy was done), growing up in the shadow of nuclear annihilation, the stain of Vietnam, the revelations of Watergate — we definitely needed a dose of mythic hope. The generations that followed us, who grew up with Star Wars as well (whether on video, or in the form of the prequel trilogy) were also shaped, although I’d argue none as profoundly as we were.

More than that, though — on a personal level, I remember sitting in the theater in 1977 with my Dad, around my 8th birthday, blown away by what I saw on the screen. Not just my utter immersion into the world and the story, though. I clearly remember, as the film ended, having a sharp-edged certainty in my mind: I want to do THAT.

Not fly an X-wing, destroy the Death Star, or learn to fight with a lightsaber (although, yeah, I wanted that, too), but rather to create worlds, to tell stories, and present something that I invented in my head to crowds of people who would be affected by it… people who I would never meet, and never know. The idea that such a thing was possible was mind-blowing to me, and I’m not entirely sure what it was about sitting in that theater made it more tangible to me than the books I’d surrounded myself with from the time I could read… but there it was. I knew what I wanted to do with my life.

From 1977 until now, that is the direction I have steered. I have created worlds, and told stories, and I’m going to continue to do so (hopefully) for a long time to come.

…and all because of Star Wars.

So I celebrate it.

May The Fourth Be With Us All.
 
 

Peaked

"Peaked", by Jason Kotecki
“Peaked”, by Jason Kotecki
I was taking a look back through this blog, and I noticed something, specifically regarding some of the most popular posts of mine (according to Google Analytics).

The “ePulps” blog article, spelling out a plan that I haven’t yet enacted… posted in 2010.

My three-part Transmedia blog series (Part One, Part Two, and Part Three), explaining the concept, and why I think RPG publishers should be looking into it… and yes, spelling out a plan that, well, hasn’t gotten off the ground yet…. posted in 2010.

It’s becoming very clear exactly how much of an effect the 2011 Kickstarter has had on me. I feel like I peaked in 2010, and have been crawling trying to get back to that point. The string of errors (forced and unforced), the resulting stress, the physical results of that stress which put me in the hospital, all has led to a pit, half a decade across, which I’m still trying to climb out of.

Critics lambast me, saying that I should just admit failure — that it couldn’t be more damaging than it already has been. What they don’t understand is that I’ve already admitted failure. I’ve failed doing what I set out to do, in the way that I intended to do it. But what I won’t do is quit. Because I’m going to do what I set out to do, even if it’s not the way I originally planned on doing it.

But godDAMN, the road is a long one.

 
 

Friday Music

dcee8e66d8bfbca61e739b2be7ba65e6.352x350x1Been so busy on FAR WEST and teaching this week that I’ve slacked off on posting regular entries… but I’m not about to let Friday Music slip!

To start off, here’s one of my favorite hip-hop tracks, from 2002. Those of you getting into hip-hop via HAMILTON will probably like this one — it’s got that kind of nested-complex-rhymes thing that Lin-Manuel Miranda does so well, and the backing track is based around jazz samples. K-OS, “Superstarr, Pt. Zero.”

From around the same time, coincidentally, here’s a bit of indie pop/soul from Philadelphia-based singer Res. It was her breakthrough single, but her label was eventually phased out during a buy-out, and she eventually asked to be released from her contract when the new label owners weren’t releasing any of her material. She’s gone completely indie, and still records and releases work — including as part of a hip-hop/electronic duo with Talib Kweli, called IDLE WORSHIP. Res – “They Say Vision.”

This song is a helluva lot older than I thought it was. I knew it was a Lead Belly song from the 1940s, under the title “Black Gal.” Turns out that it’s actually a traditional Southern folk song, dating back until at least 1870, and possibly earlier, with the original title “In the Pines.” This is my favorite recording of it, under the title “Where Did You Sleep Last Night”, recorded live during Nirvana’s MTV Unplugged appearance in 1993. Cobain’s ragged voice, and especially the pained howl he gives during the climax of the performance, really sends chills down my spine. Nirvana – “Where Did You Sleep Last Night.”

I know almost nothing about this next artist, aside from the fact that her album, Skin, was just released, this single was featured on Apple Music, and one of the music blogs I read really, really likes her. After giving a listen to this alt-pop track, so do I. Carmody – “Skin.”

Sticking with the alt-pop genre for a while, I really like this one, too: Ardyn, a group comprised of 2/3 of a set of triplets from Glouchestershire, who have really put together some rousing, yet slightly melancholic, pop structures in this song. Ardyn – “Over The River.”

We’re gonna close out with more high-quality hip-hop — with the kind of genius verbal dexterity I really love, layered over a solid bass & horns 70s-soul/funk groove that I might love even more. Shirt is an indie Queens-based MC, and he’s getting some serious boost from the fact that this track was used in the closing credits of a recent episode of HBO’s Silicon Valley. I cannot emphasize enough how fucking GOOD this is. Enjoy: Shirt – “Phantom (Redux).”

There ya go, kids. See you back here soon.