Red Seas Under Red Skies

This past weekend I finished reading ‘s second novel in the Gentlemen Bastards sequence, Red Seas Under Red Skies.

I had high hopes for this book — I loved the previous novel, The Lies of Locke Lamora (my review can be found here), and I knew from Scott that this time around, the Gentlemen Bastards would be leaving the confines of the city, to experience some Pirate-y goodness on the high seas. Now, as you well know, I LOVES ME SOME PIRATES. So, unfairly or not, when I opened the cover of this book and began to read, I was waiting to be blown away.

Damn me if the bastard didn’t pull it off.


Brilliant book.

It’s roughly divided into two halves — the first half details a new city, the island city-state of Tal Verrar, and the scam that Locke and Jean are currently attempting, interspersed (initially) by flashback scenes which take us from the end of the previous novel, up to the “present day”, explaining how they got where they are. After involving the reader in the scam, Locke and Jean get drawn into a larger plot involving the politics of Tel Verrar, which spins the book into an entirely new direction — seaward.

The second half deals with Locke and Jean getting involved with the pirates who ply their trade upon the Sea of Brass. Lots of piratey goodness abounds, including the introduction of one of the most anticipated characters — the black, single-mom pirate Zamira Drakasha, mere mention of whom resulted in one of the funniest bit of frothing-at-the-mouth nutjob fan-criticisms ever leveled at an author, and the far more brilliantly funny response (recounted here at the author’s LJ in “Touched by a Crazy Person.”).

I won’t spoil any plot points or any of ‘s brilliant turns of phrase. Go ye forth and read.

Can’t wait for the next one!

Indy Art Installation

For those of you who were in Indy for GenCon– you no doubt saw the unique LED art installations that were on several street corners in the area.

Turns out that it’s a city-wide installation from Julian Opie. Check it out. (Specifically, page two of the gallery, the piece, “Sara Dancing” — an animated, colored version of which can be found here on the artist’s website— which was the one closest to the Convention hall.